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... . Deutsch’s regular lesson.: Händel A e i r, Ed; Beeth.-Son: op. 2, No 1, endlich Scherzo op. 87 für sich. March 23, 1914 Deutsch: for Kogan: Handel Air in E major; Beethoven Sonata Op. 2, No. 1, finally the Scherzo of Op. 87 for herself. ...
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... 23. Elias:Schenker’s diary for this day records: “Weisse arrives, by his own admission, a good half-hour too early, as he had something to ask me. The wretched boy did not have the heart to use his own lesson time also for the questions relating to ...
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... 4. Hupka: Mischungs-Aufgaben mit Zugrundelegung der 2. Gattung,Hupka had been studying five- and six-voice counterpoint at the time of his March 27 lesson. Following the scheme of the as yet unpublished Kontrapunkt II, today’s work corresponds with ...
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... 6. Elias: Ueber die Cantaten vom Standpunkt des Vortrages; besonders über den Fehler der Altistin, die beinahe jedem Ton mit gleichem Ausdruck sang, und über den Baßisten, der den Taktstrich offenbar für die höchste Offenbarung des Autors hielt.Schenker’s ...
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... 15. Pairamall:Schenker’s diary for this day records: “Mrs. Pairamall tells me that she advanced Dr. Siroki 140 Kronen at the patent office, but that she is 'covered'!!! An abyss of the most reprehensible greed: she is prepared to pay the named ...
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... 16. Deutsch:Schenker’s diary for this day records: “Mrs. Deutsch shows me a postcard from her sister, in which I am asked to give lessons to the latter, or Miss Kahn in my place. The fact that the two sisters spent the Easter holidays together on ...
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... “Koppelung” of Schenker’s later theory. The “Weg zu A3” perhaps indicates mm. 188 to 212, in which Chopin reintroduces fragments of A1 interlinked with elements from the long middle section. April 17, 1914 Breisach: II 4, assignment of II 5. Chopin Ballade in ...
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... 25. Kahn: Ungarische Tänze: Desd, Fd, Em;Brahms’s Hungarian Dances for piano four hands: D major = No. 6; F major = No. 3 or 7; E minor = No. 9 or 20 or 21. beim letzteren Ausarbeitung jener Vortragsanweisungen, die Brahms in weiser Voraussicht ...
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... 27. IV. Weisse:Schenker’s diary for this day records: “Weisse reports several of Prof. Guido Adler's comical and sheep-headed ideas. Thus, for example, "thoroughbass is the study of harmony" and "C.P.E. Bach's book teaches continuo playing ...
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... ; revision of the syncope; from Beethoven’s E major Sonata, Op. 7; ingredients of genius in synthesis and harmony; in that connection, secondary literature on Lenz and Nagel. ...