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{recto}
    
     
      
[An:]
       ⇧ Herrn Dr.  Heinrich
       Schenker
       loco
       III. Reisnerstrasse 38
      
pneumatisch
      
     
     
[postmark:]
|| [illeg] WIEN 16 | 11.
      10. 13 | [illeg] ||
[x 2]
    
    
    
{verso} Liebster Meister !1 
Bitte nur um Beantwortung der einen Frage, da ich sonst mit der Ausführung der
     Mischungen stecken bleibe! Was geschieht Falls eines Durchganges also
     
 
   
 mit der zweiten in Halben sich bewegenden Stimme?
 
    Bestens Ihr
    
[signed:] 
Hans 
© Transcription William Drabkin,  2007 | 
    
{recto}
    
     
      
[To:]
       ⇧ Dr. Heinrich Schenker
      
[Vienna]  III
       Reisnerstrasse 38
      
by pneumatic post
      
     
     
[postmark:]
|| [illeg] VIENNA 16 |
      11. 10. 13 | [illeg] ||
[x 2]
    
    
    
{verso} Dearest Master ,1 
I ask you merely to answer one question; otherwise I shall remain stuck with the
    realization of modal mixtures! What happens in the case of a passing-tone, i.e.
     
 
   
 with the second voice moving in half-notes?
 
    Best regards, your
    
[signed:] 
Hans 
© Translation William Drabkin,  2008 |  
| 
    
{recto}
    
     
      
[An:]
       ⇧ Herrn Dr.  Heinrich
       Schenker
       loco
       III. Reisnerstrasse 38
      
pneumatisch
      
     
     
[postmark:]
|| [illeg] WIEN 16 | 11.
      10. 13 | [illeg] ||
[x 2]
    
    
    
{verso} Liebster Meister !1 
Bitte nur um Beantwortung der einen Frage, da ich sonst mit der Ausführung der
     Mischungen stecken bleibe! Was geschieht Falls eines Durchganges also
     
 
   
 mit der zweiten in Halben sich bewegenden Stimme?
 
    Bestens Ihr
    
[signed:] 
Hans 
© Transcription William Drabkin,  2007 |  
| 
    
{recto}
    
     
      
[To:]
       ⇧ Dr. Heinrich Schenker
      
[Vienna]  III
       Reisnerstrasse 38
      
by pneumatic post
      
     
     
[postmark:]
|| [illeg] VIENNA 16 |
      11. 10. 13 | [illeg] ||
[x 2]
    
    
    
{verso} Dearest Master ,1 
I ask you merely to answer one question; otherwise I shall remain stuck with the
    realization of modal mixtures! What happens in the case of a passing-tone, i.e.
     
 
   
 with the second voice moving in half-notes?
 
    Best regards, your
    
[signed:] 
Hans 
© Translation William Drabkin,  2008 |  
| 
Footnotes
1 Receipt of this postcard does not appear to
      have been recorded in Schenker's diary. |  
| 
Commentary
Format
			printed postcard: holograph recipient address, recto; holograph salutation, message, musical notation, valediction, and signature, verso
		  Provenance
				Schenker, Heinrich (document date-1935)--Schenker, Jeanette (1935-c.1942)--Ratz, Erwin (c.1942-c.1945)--Jonas, Oswald (c.1945-1978)--University of California, Riverside (1978--)
          Rights Holder
				Heirs of Hans Weisse, reproduced with kind permission
          License
				Permission to publish granted on March 10, 2008 by the heirs of Hans Weisse.  Any claim to intellectual rights on this document should be addressed to the Schenker Documents Online, Faculty of Music, University of Cambridge, at schenkercorrespondence[at]mus(dot)cam(dot)ac(dot)uk
           Digital version created: 2019-10-19Last updated: 2010-06-25
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