corr-item-type
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Documents of this type:
OJ 10/1, [7] Handwritten field postcard from Dahms to Schenker, dated April 5, 1915
Dahms has been conscripted and writes from the battle front. He has submitted an article on Schenker's edition of Op. 110.
OJ 10/1, [8] Handwritten field postcard from Dahms to Schenker, dated April 25, 1915
Dahms writes of the "fatherland" and of Hindenburg's "voice-leading."
OJ 10/1, [9] Handwritten field postcard from Dahms to Schenker, dated June 4, 1915
Dahms echoes Schenker: The German character must prevail over others.
OJ 10/1, [10] Handwritten field postcard from Dahms to Schenker, dated October 2, 1915
Dahms is unable to describe his [wartime] experiences. He has had to revise his opinions.
OJ 10/1, [11] Handwritten field postcard from Dahms to Schenker, dated October 13, 1915
Dahms is sick.
OJ 10/1, [12] Handwritten field postcard from Dahms to Schenker, dated October 29, 1915
Dahms inquires why Schenker singled out Strauss's Alpine Symphony.
OJ 10/1, [14] Handwritten field postcard from Dahms to Schenker, dated January 8, 1916
Dahms is able to do some work, longs for peace, looks forward to Op. 111.
OJ 10/1, [15] Handwritten field postcard from Dahms to Schenker, dated January 15, 1916
Dahms cannot write openly because of censorship.
OJ 10/1, [16] Handwritten field postcard from Dahms to Schenker, dated February 21, 1916
Visit to Vienna has to be deferred.
OJ 14/33, [4] Handwritten field postcard from Steglich to Schenker, dated March 25, 1918
Steglich, on the battlefront in the Ukraine, acknowledges receipt of Schenker's Erläuterungsausgabe Op. 111, and hopes to study it when things are quieter.
OJ 14/5, [6] Handwritten fieldpostcard from Moriz Schenker and Hans Guttmann to Heinrich Schenker, dated August 8, 1918
Moriz Schenker regrets not having spoken to Heinrich but hopes to be in Vienna again soon; he has Hans Guttmann staying, and has written to Sophie Guttmann; note by Hans Guttmann.