OC B/196 Typewritten letter from Wilhelm Altmann to Schenker, dated March 24, 1925

The St. Matthew Passion parts may be retained until mid-July; Altmann is pleased at Schenker's move from Universal Edition to Drei Masken Verlag; will not be in Galtür next summer.

OJ 6/7, [23] Handwritten letter from Schenker to Moriz Violin, dated July 26, 1925

Two weeks after arriving in Galtür for the summer holidays, Schenker reports that he has caught up on his sleep and has already dictated an essay on Reger's Variations and Fugue on a Theme of J. S. Bach, Op. 81. He will not allow the legal wrangle with Universal Edition to interfere with his holiday, but he is annoyed about not having been paid by Drei Masken Verlag for the manuscript of Meisterwerk 1. He has responded to a critique of his Erläuterungsausgabe of Op. 110, in an essay in Meisterwerk 1, but will not pursue other attacks upon his work and those of his pupils. The Schenker medallion designed by Alfred Rothberger is going to a second impression; but the mezzotint portrait by Viktor Hammer, which Jeanette finds a superior work, has not yet been printed. Throughout the letter, Schenker urges Violin to bring his family to Galtür sometime during the summer.

Diary entry by Schenker for 8 September 1924

Diary entry by Schenker for 15 September 1924

Diary entry by Schenker for 2 February 1925

Diary entry by Schenker for 8 March 1925

Diary entry by Schenker for 24 April 1925

Diary entry by Schenker for 28 April 1925

Diary entry by Schenker for 1 May 1925

Diary entry by Schenker for 3 May 1925

Diary entry by Schenker for 4 May 1925