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Anton Felix Schindler

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  • Anton Felix Schindler

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Correspondence

  • OJ 89/1, [1] Handwritten letter from Schenker to van Hoboken, dated July 3, 1927

    Schenker gives Hoboken Furtwängler's summer address and urges him to contact the latter, which could yield advantage, not least for the Photogrammarchiv. — Has seen Schindler's Beethoven biography with notes on performance. — Notifies Hoboken of the normalizing of his fee at 50 schillings per lesson.

  • OJ 10/3, [65] Typewritten letter from Deutsch to Schenker, dated July 11, 1927

    Deutsch tells Schenker that the second edition of Schindler’s Beethoven biography is available, but not the first. --- He explains at length a misunderstanding over the reprinting of Beethoven’s Piano Sonata Op. 57, with correction strips, before Universal Edition reissued Schenker’s edition, revised in the light of the facsimile of the autograph manuscript. --- He is thoroughly pleased with Hoboken’s text (announcing the Photogram Archive) and gives an account of his and Hoboken’s movements over the summer.--- He reports on a project in America to find a completion for Schubert’s “Unfinished” Symphony, and expresses his regret that Drei Masken Verlag have been slow to prepare the second Meisterwerk yearbook for publication.

  • OJ 10/3, [66] Typewritten postcard from Deutsch to Schenker, dated August 2, 1927

    Deutsch has obtained a copy of the first edition of Schindler’s Beethoven biography, which he will send to Galtür.

  • OJ 89/1, [2] Handwritten letter from Schenker to van Hoboken, dated August 12, 1927

    Schenker acknowledges van Hoboken's letter, OJ 11/54, 14, dated August 7, 1927; encloses seven articles; responds regarding Haydn, Furtwängler, the "Appeal" for the Photogrammarchiv, an exhibition in Frankfurt, John Petrie Dunn, Reinhard Oppel, Das Meisterwerk in der Musik, vol. II, Otto Erich Deutsch, and an honorarium; and sends best wishes for the Hobokens' trip to Switzerland, reporting on von Cube.

  • OJ 6/8, [7] Handwritten letter from Schenker to Violin, dated October 17, 1931

    Schenker offers Violin words of comfort in the light of a misappropriation of the title “Professor.” He also describes progress on Chopin’s Op. 10, No. 12, and the Bach Prelude in C major for the Five Analyses in Sketchform, and his work on a document of Anton Schindler purporting to convey Beethoven’s instructions on the performance of the Op. 14 sonatas.

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