... this Yearbook, the author continues, in a broader (broader than what?) and more easily surveyable form, what he had set himself as a goal in his earlier writings: to demonstrate the essence of a musical organism. To the ear of anyone keen on music ...

... Master, Permit me to tell you, albeit in haste and in a few words, with what pleasure with which I have read and continue to read Meisterwerk 2. "The Organic Nature of Fugue" is magnificent – no less so is the "Organic Nature of Sonata Form." But what ...

... “; fragt nach Brahms’ Orgelstimme." ("From Jonas (letter): he was with Furtwängler, received Saul for examination; is moved by the "Selbstanzeige"; he asks about the organ part in Brahms's [arrangement of Saul]."). Vielen Dank für Ihren lieben Brief.= OJ 5 ...

... write. After V.'s arrival all became clear. Prof. Oppel (whom I heard improvise valiantly on the organ in Galtür, incidentally) is, I am told, expecting your visit. That is very nice and gracious. He may himself tell you the story of my ex ...

... happy to hear that Dr. Furtwängler has given Saul to you. Just one comment: the organ part, and all other parts as well, I was unable to see, because, between ourselves, I had enough to do to hide the fact that behind the back of the pitilessly ...

... course laypeople stick to piano music, and it is difficult to approach them with the unfamiliar. May I ask you for your objective view on Bruckner? Why are his organ points poorly executed? As a Brucknerite, I am perhaps not in sympathy with you. That ...

... several days I have been working on Brahms's Op. 117, No. 1. I naturally want to understand the continuity of the piece clearly before I begin the work of comparison, but am not completely finished, especially not with the organization of the bass in the ...

... also supplementary instrumental parts other than the organ part? I would be most grateful for a clue in this matter. Now I would like to wish you and your good wife very pleasant holidays, and remain Most gratefully devoted Oswald Jonas ...

... Klenau I rushed through the score – i.e. the form in the large and most overall sense – in 2‒3 hours. To torque you down to this standpoint, however, is not good enough today; you would perhaps find this formal organization yourself. I must speak ...

... first four bars of the first part of the piece. end cue This seems to be a more organic interpretation; I also find a similar passage in the B group in Beethoven's Op. 7 first movement, where you yourself have decided that there are new harmonic degrees ...