-
... , pp. 219–26; the footnote concerning Reger is lacking in the English translation). And Schenker invokes as "the model of a manner of composition truly sweeping in the utter boldness of its voice-leading and (even in fugues) securely based on scale ...
-
... . In meinem Kurs ist das kleine Präludium F Nr. 6Probably BWV 927. Jonas included a discussion of this piece with voice-leading graphs in an appendix of his edition of Schenker's Harmony (Chicago; Chicago University Press, 1954), pp. 349‒52. zur ...
-
... had previously encountered. The act of hearing, at least concerning the first layer of these voice-leading graphs, requires an imagination several degrees greater than for that of any of the others. I shall be able to write to Bamberger in the next two ...
-
... is in fact indicated, the bass B of m. 3 descending through A to G. 2.) Parallel to this, the tenor voice in the right hand moves from d by way of c to b, whereby one may note that in the problematic m. 4 the soprano f remains tied over, while the c ...
-
... schon jedes Wort überflüssig geworden. Ihrem Absatz zum „ersten Urlinieton durch Anstieg“ würde ich einen: „zum ersten Urlinieton durch Abstieg“ gerne gegenüber gestellt sehen, dorthin gehörten meiner Meinung nach Beispiel fig 6,This figure shows a voice ...
-
... moralischen Erfolg. Die Sonate ist im Stil meiner Ihnen gewidmeten StückeA set of three-voice piano pieces, which Weisse dedicated to Schenker as a farewell present. gehalten, neigt also mehr zur Bachischen Setzweise. Mir persönlich war das klangliche ...
-
... Neugeborenen wünschen wir dem Elternpaar viel Glück. 9.11.27 My dear Mr. von Cube, Your present brought us great – very great – joy; we offer you our most heartfelt thanks. Not only our strange two-voice counterpoint, but also the four-part harmony is of the ...
-
... voice with piano are preserved unpublished, in manuscript, and without opus number in folder OJ 22: item 23 “Auf die Nacht in der Spinnstub’n” (P. Heyse) (dated July 1899), item 24 “Der Himmel hat keine Sterne so klar” (P. Heyse), item 25 “Ich bin bei ...
-
... Bopp, Director of the Vienna Akademie für Musik und darstellende Kunst of a "historical" concert of works by C.P.E. and J.S. Bach approved by him and planned for January or February 1910. Schenker voiced his rage at the cancelation in his diary for June ...
-
... dissonance. He wanted specifically to demonstrate, so he told me, how one can even compose well using fourths and suchlike. I did not keep my opinions to myself. I was all the more pleased, then, to hear the Octet proceed with good voice-leading. Furtwängler ...