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Diary entry for 1913-10-09
... diese Ausgabe sofort gegen die Schenker’sche Probably Schenker's edition of J. S. Bach's Chromatic Fantasy and Fugue (Vienna: UE, 1910); had the edition in question been Schenker's editing of selected keyboard works by C. P. E. Bach (Vienna: UE, 1903 ...
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Diary entry for 1914-04-06
... 's Chromatic Fantasy and Fugue (1910), the monograph on Beethoven's Ninth Symphony (1912), and the first two Erläuterungsausgaben of the late Beethoven sonatas (1913–14); a second edition of the Instrumentations-Tabelle was also published in 1912. An early ...
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Diary entry for 1917-01-30
... the first page and, in an even more decisive way, that there was also a four-voice fugue among the manuscripts, which as a form would be inaccessible to laymen who had not actually been taught it. Finally I ascertained that the baroness asked for a ...
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Diary entry for 1917-04-14
... year, pp. 74-76 (mentions the edition of Bach's Chromatic Fantasy and Fugue); clippings of these are preserved in Schenker's scrapbook (OC 2/p. 52). u. erbittet nähere Angaben über Harmonielehre u. Kontrapunkt; gern würde er mehr geschrieben haben, wenn ...
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Diary entry for 1917-04-25
... and Fugue); clippings of these are preserved in Schenker's scrapbook (OC 2/p. 52). gelesen? ersuche an Schlaikjer per Adresse: „Tgägliche Rundschau“ (Berlin) op. 111 auf meine Rechnung zu schicken; sondire endlich nach einer eventuellen g Geneigtheit ...
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Diary entry for 1924-09-08
... Engelsmann from Dresden (letter): regarding a passage at measure 169 of the fugue in Op. 110. To the Thun'schen factory warehouse regarding porcelain: closed. Encountered Seligmann along the way. Lunch in the "Linde." At Henkel setter 160,000, ear curette and ...
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Diary entry for 1925-12-13
... . Finally we talked about the organic nature of fugue, from the lead essay in the second yearbook, also about Shaw's St. Joan ...
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Diary entry for 1929-11-30
... four bars takes its revenge; the middle section in D major cannot be understood at all; in the fugue, all the forte accents are missing. The audience could not follow; at best it would have continued to cough, even after the rests – a sign of impatience ...
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Diary entry for 1913-11-02
... statesman who badly controls the fate of a nation! In all situations what matters so very much is simply that they are handled properly, whatever the situation may be. The shortest fugue by Bach, on account of its immanent perfection, towers over the most ...
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Diary entry for 1899-10-01
... of a fugue. ... He has in common with the greatest geniuses of dramatic art, indeed with Fate in general, his dramatic cruelty and implacability! draft in Heinrich's hand in Ser. B, p. 5 Ser. B, in left margin: √ The depth of reflection and the way in ...