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Searched for music in Diaries (1112 results found)

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  • Diary entry for 1930-02-03

    ... ," Music Analysis xx/1 (March 2001), 1‒115. Haas erzählt, daß v. H. die Zuwendung an das Archiv in diesem Jahre bedeutend eingeschränkt habe, entgegen seiner Zusage, sie im gleichen Ausmaß fortzusetzen u. davon das Jahrbuch auch zu decken. Lie ...

  • Diary entry for 1931-09-29

    ... played were on a large scale; according to the Neue freie Presse, this was a program of Russian symphonic music. Abends Pranger: heiter u. gut, Sinfonie-Orchester: Abends Weber – Preziosa; Mendelssohn: Sommernachtstraum; Smetana – Moldau. Ich schlafe im ...

  • Diary entry for 1932-05-31

    ... Weisse has been reappointed as teacher of composition and interpretation at the David Mannes Music School for the 1932–33 season and, in addition, has been named as leader of a seminar on music criticism at Columbia University in New York. Befund: Eiweiß ...

  • Diary entry for 1932-10-15

    ... weather arrives. From Dr. Kalmus (letter): he is also prepared to come to me! After teatime, errands (in the rain). 4:45 to 8:30, Deutsch: he makes a very important suggestion: Hoboken should obtain the Society of the Friends of Music’s permission to ...

  • Diary entry for 1932-10-25

    ... ging nicht anders“! Ich teile v. H. einiges aus dieser Konferenz mit. Lobe seine Lieder. 25, cloudy. 10:30, Deutsch – advises about the letter to the Society of the Friends of MusicGdM Briefe HS, [2]; from 11 to 1 o’clock, Dr. Kalmus: discussion about ...

  • Diary entry for 1933-05-04

    ... (OJ 9/34, [37], May 11) contain graphs and discussion of that movement. For an interpretation of these documents, see William Drabkin, Schenker, the Consonant Passing Note, and the First-Movement Theme of Beethoven’s Sonata Op. 26, Music Analysis 15 ...

  • Diary entry for 1934-10-16

    ... Arnold (tenor) sang works by Edmund Samuel Eysler, accompanied at the piano by the composer. Dann Querschnitt durch Oesterreichs Geschichte According to the radio listings in the Neue freie Presse, Gottfried Madjera was responsible for the musical ...

  • Diary entry for 1913-05-23

    ... ") of 1906–7, Schenker described the course of music in the nineteenth century as splitting into two paths, the one that was true to the legacy of the Classical masters (Beethoven–Mendelssohn–Brahms), and one that took a different direction (Berlioz ...

  • Diary entry for 1913-07-22

    ... . 113–14, reprinted in Federhofer, Heinrich Schenker als Essayist und Kritiker (Hildesheim: Georg Olms, 1990), pp. 318–19. It combined two concerts. This review has, however, no music examples: the earliest essay by Schenker in a musical weekly ...

  • Diary entry for 1915-10-31

    ... meaninglessly. Smetana's piece displays a certain impoverishment of technique. Its program is not entirely resolved musically, as is the case with the great masters; the horns, which depict a hunt, sit on the banks of Moldau, so to speak, only as decoration ...

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