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... "Appassionata", new; "Pathetique" new; Chopin Waltz in Ab major; Beethoven Variations in C major on "God Save the King"; Brahms Hungarian Dances in E minor 2/4, F# minor, F major; revisited: Chopin Preludes in F# major, Db major; Brahms Intermezzo in Eb major ...
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... . deren Widerspiel in der Reprise; über die Organisation der 5-maligen Wiederholung im 2. Ged. u. als Kontrast dazu die Technik in Dwořak’s Adur-Quintett, 2. Ged. Cism;Schenker worked on Brahms’s Piano Quartet No. 3 in C minor, Op. 60, in October 1913 with ...
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... OJ 25/1. im Hinsicht des Basses. Continuation December 1916‒March 31, 1917: Elias: Preludes repeated as far as the G minor; Haydn: F minor Andante from earlier, taken up anew; Chopin: Etudes taken in order, this time No. 4; Mozart A major repeated ...
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... phenomenon occurs in the very small forms; cf. e.g. Brahms G minor Waltz and in much of Schubert’s music.] ...
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... des Laien, aus die er sich durch den Kenner nicht herausdrängen lassen will: Effekt: „sehr interessant aber - -“This entire entry is duplicated in Schenker’s diary for January 25, with only minor alteration. (Heinrich used the lessonbook as a holding ...
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... zum es1 u. zur I. Stufe der Tonart, die 2 Takte lang dauert u. einen Takt Vorhalt hat: Es bleibt bleibt während der IV. u. IV., um erst über der V. empor zu steigen. October 15, 1912 Brünauer: C minor Prelude: the fact that the E major chord in bar 11 ...
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... . November 13, 1912 Kaff: Has a wounded finger. Chopin A minor Etude newly tackled; talked about the Grieg pieces. Allowed to see the autograph manuscript. ...
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... ; Artikulirung von legato gebundenen Oktaven wie bei einzelnen Tönen; Hand u. Arm streben immer in die Höhe.The passage illustrated occurs in the right hand of the piano at bar 60 of the Brahms Piano Quartet in G minor, Op. 25, first movement. — Schenker ...
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... ; modulatory meaning; colors that result each time the re-interpretation from a distant value or to a distant value is completed; examples from Op. 109, first movement, there V3 III3 – I! Cf. Haydn C minor Sonata. ...
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... changing-note; bar 3: unmediated tonicization of II in A major = I in B minor; basis: replication of bar 1; bars 5–6: seemingly parallel octaves between Stufen and the melody; bars 9ff: modal mixture; bars 11–12: merely enharmonically rewritten; bar 13 ...