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... art of music is absolutely dead, that there are not eight measures worth a penny …” and that there is neither vocal nor instrumental music performance that “rises to the shoe thongs of earlier musical performance ...” — Whether Brünauer brought this to ...
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... ’s Fourth Symphony, first movement. The horn colors in Tristan, in Beethoven’s Fidelio, and in chamber music. ...
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... 4. XII. Hupka: Brahms Studien sehr gut; mit stummem Finger.Perhaps this refers to passages in Brahms’s piano music in which one finger has to hold while others move around it: e.g. many of the 51 Übungen für Pianoforte, and the Variationen über ein ...
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... ) that of the key areas; and about the particular logic prevailing over each individual sphere, and ultimately the combination of all these operations in the service of a musical idea. ...
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... inordinate predominance of the vertical axis reaching total irrationality. On the relationship of music to poetry in song and in opera, their individual and mutual paths; on art for the general populace. ...
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... Op. 109, or to something outside music. — Schenker’s diary for this day remarks: “a favorable set of circumstances opens the prospect of four free days.” December 24, 1913 Hupka: Op. 110 first Arioso through to the end, new; revisited: the preceding ...
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... 28. II. Kahn: rep. Händel-Var. mit leichtem Rückfall in der Tongebung;In common musical usage, “Tongebung” means “intonation.” Roth No 1.Herman Roth, ed., 25 Geistliche Lieder (aus dem Schemellischen Gesangbuch) für eine Singstimme und basso ...
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... chamber music." (He and Hupka had volunteered for military service on February 20.) Consequently, the diary for Tuesday March 2 records: "For the first time, Breisach’s lesson is not in the calendar; we use the extra time to move forward more quickly on ...
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... : Klavierkonzert Adur; Brahms: Walzer; Schubert: Impromtus u. Moments Musicaux: Asd, Asd, Fm, Cism, Fm. to the end of January: Brünauer: Bach: Prelude & Fugue in E minor, new; Mozart: Piano Concerto in A major; Brahms: Waltz[es?]; Schubert: Impromptus and Musical ...
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... the “Four Serious Songs“ by Brahms. [The vocal element as impediment for development of long spans, hence also of scale-degrees; that’s why voice-leading character as in these songs clings mostly to chorales and motets. In instrumental music this same ...