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... least in this respect. For sake of clarity, I send a postcard to Mrs. Deutsch in the afternoon, with the same content.” op. 101 3. u. 4. Satz; rep. op. 87; 1. S. vorgelesen.“vorgelesen”: Mrs. Deutsch’s lesson notes for March 9 record “first movement ...
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... preserved at OJ 25/1. No. 1 Auf, auf! die rechte Zeit ist hier (BWV 440); No. 2 Ich steh’ an deiner Krippen hier (BWV 469). These chorales were listed in Weisse’s lesson notes for June 15. — It is not entirely clear whether Schenker is correcting Weisse ...
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... .e. Guido Adler's seminar at the Musikhistorisches Institut, Vienna University. See also reference in notes for Figdor. The chorale is BWV 2/6 or BWV 77/6, Riemenschneider 262 or 253.-Prüfung). Einiges aus dem Generalbaß nach Seb. Bach.J.S. Bach's Precepts ...
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... records several of the chamber music occasions, some noted in footnotes below. Beethoven: Klavier-Violin-Sonate Amoll, Linie u. Stufen im 1. Satz, mit Schiffer gespielt.Probably February 16, 1922 (diary). Bach: Chromatische Fantasie, wiederholt. Händel ...
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... 19. Deutsch: Mit Hinblick auf eine neuerliche ProbeCf. her lesson notes for December 16. Evidently she is working on the Dvořák E String Quartet with a view to public or private performance. einige Stellen aus dem Quartett. Einiges auch aus dem ...
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... 22. I. Vrieslander: Fortsetzung des 3-stimm. Satzes;See lesson note for January 18 for beginning. Aufgaben meiner Druckvorlage durchgearbeitet.Most likely his manuscript copy for Kontrapunkt 2, the music examples for the five chapters on three ...
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... refer to program notes that Nin had written for a recital in Brussels on January 31, 1912 (ibid, 181). aus seinem Programmbuch; Berichtigungen u. Erwiderungen meinerseits, so insbes. über den verkannten nationalen Charakter der deutschen Musik; ein ...
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... deceptive cadence amidst a six-chord of the tonic and the eventual cadence, in which the root itself appears as the lowest note; a propos the latter, the version of the first theme again starting with the third at the top, and development of the piano ...
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... hunt (by the light of a lantern) for the correct cadence in D major, the violin and cello groping their way, sniffing at the sixteenth note C natural, then C, and so on, until after so and so many bars the cello lands on the correct cadence. Immediate ...
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... ), mostly text with measure numbers but with a page of sketches for the Andante (175) – no notes on the Finale. This is the only lesson at which he is recorded as discussing the work with Elias. Other pupils were Sofie Deutsch, Brünauer, Weisse, and Breisach ...