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... Harpsichord Concerto in A minor, W. 26, H. 430, of which he made an edition c.1903. It is unclear to which G minor concerto he refers. April 23, 1913 Pairamall: Bach G minor concerto, first movement; performance on the basis of the violin part of the A minor ...
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... 17. XII. Hupka: Sonate ertes Arioso blos bis T. 16; rep. 1. + 2. S.; hierauf Konzert-Studien"Konzert-Studien": perhaps indicating that the works that follow were items for a forthcoming public performance. rep. op. 109 bis Durchführung; Händel ...
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... in Meisterwerk 2 (1926), p. 121 (Eng. transl., p. 70). Cf. Breisach’s lesson for the same day. December 30, 1913 Weisse: Op. 110, fingering through to the close; performance of the second Arioso and again Mozart’s G minor Symphony, ordering of the ...
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... the full report see April 4. einiges zur Ornamentik; auch über Ochs Leistungen. April 6, 1914 Weisse: On the cantatas to be performed by Ochs, in light of the general impression from a final rehearsal; one or two things on ornamentation; also about ...
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... 26. Bloch: Appassionata, 1. Satz.Schenker’s diary for this day reports: “After Miss Bloch's lesson, Lemberger senior appears, in order to find out from me whether Felix Hupka will be able to perform in public again next year. I confirm this but ...
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... art of music is absolutely dead, that there are not eight measures worth a penny …” and that there is neither vocal nor instrumental music performance that “rises to the shoe thongs of earlier musical performance ...” — Whether Brünauer brought this to ...
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... 15. I. Deutsch: etwas über ParzifalRehearsals for the first Vienna performances of Parsifal at the Hofoper were reported as on-going in early January (Neue freie Presse, January 4 and 5), with the dress rehearsal scheduled for January 13. The first ...
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... . This is presumably in preparation for the February 22 concert at which the piece was to be performed (see diary entry for that date).. mit Erläuterungen.This entry is followed two others that appear also in Schenker’s diary for January 19. (Heinrich ...
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... the dominant has been sounded does the main key itself enter.] Memory of Brahms‘s performance of this piece; the first lukewarm applause came just after the Allegretto! The Andante was a flop. ...
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... Prelude” does, however, appear once more, in her notes for October 19, where the discussion definitely relates to the D major work. October 9, 1912 Elias: Theme and third variation of Handel made secure; final face-to-face explanation of the performance of ...