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... concept of synthesis, which presides over individual forms; the eternity of forms by reason of their organic right to exist; the advantage of synthesis for making discoveries in the harmonic realm – demonstrated with Chopin’s Mazurka in G minor ...
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... 7. Breisach: Haydn: Fism Trio, Form: Modulation vom Nachsatz des 1. Ged; die Rapidität nötigt noch vor dem eigentlichen 2. Ged. eine große Strecke der eigentlichen Modp. mit dem Kopfe des Hauptmotivs zu machen; in der Reprise fehlt der 2. Ged., der ...
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... recorded in later lessonbooks. (All three are marked out by the name-form, “Lie-Lie,” by contrast with the strict last-name form for all other pupils, however close to Schenker.) One wonders whether lessons, regular or irregular, continued unrecorded, or ...
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... 19. Weisse: Aufsatz zur Psychologie der Form; mit Benutzung der Ergebnisse früherer Stunden über die Umstellungen“Umstellungen”: although this could carry a technical meaning (e.g. “transpositions” “inversions,” or changes of function), it may refer ...
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... , Form u. Linie; 1. Satz ebenfalls Linie. Ehrenvoll nachträglich gefragt, nachdem er im Seminar seine Vorlesung schon gehalten hat.Schenker's diary for February 9, 1921 reports: "Klammerth tells us about Figdor's approach in his seminar, which is ...
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... ab T. 5 das technische Prinzip allein gleichsam zum neuen Motiv erhoben u. damit in großem Umriß die harmonische Tendenz des Themas wiedergegeben. Ueber die abweichende Schreibart Beeth. im Faksimile u. im Urtext.The facsimile of the Sonata in A major ...
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... ’s diary for November 6 records: “The two autograph manuscripts are photographed.” — i.e. the autographs of Beethoven Sonatas Op. 110 and 111. (Miss Kaff is not recorded as working on either sonata hitherto.) Cf. lesson note for Brünauer November 15 ...
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... ; Bach: Prelude in C major; Chopin: Mazurka in A-flat major, G minor revisited; Nocturne in F minor, new; Beethoven: Op. 106, revisited; Sonata in A major Op. 2 revisited; Chopin: Waltz in A minor, new; Paganini Variations revisited; Chopin Waltzes in C ...
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... gradually and with difficulty is it achieved. Least of all can playing it over at the piano be converted into written form. This is not simple to do. ...
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... , 1913 Deutsch: several passages read out from my Op. 109, namely on account of the form that those questions took about which I often talked with her. ...