-
OC 52/403 Typewritten letter from Hertzka (UE) to Schenker, dated March 18, 1912
Second proofs of gatherings 11 and 12 of Schenker's monograph Beethovens
neunte Sinfonie are on their way to him. Hertzka issues a warning on correction costs.
Payment has been authorized for the additional material for his
Instrumentations-Tabelle.
-
OC 52/432 Typewritten letter from Hertzka (UE) to Schenker, dated March 7, 1912
Hertzka invites Schenker to meet him to discuss the plan for an edition of the
Beethoven Ninth Symphony score and other matters.
-
OC 52/81 Typewritten letter from Hertzka (UE) to Schenker, dated March 9, 1912
Hertzka agrees to the suggested meeting time and place; second proofs of
gatherings 9 and 10 are being dispatched to Schenker.
-
OC 52/82 Typewritten letter from Hertzka (UE) to Schenker, dated March 15, 1912
Hertzka gives Schenker assurances on the arrival of further
gatherings.
-
OC 52/83 Typewritten letter from Hertzka (UE) to Schenker, dated March 20, 1912
Hertzka suggests a fold-out for a particularly large music
example.
-
OC 52/84 Typewritten letter from Hertzka (UE) to Schenker, dated March 26, 1912
Gatherings are received and others sent out. Hertzka reiterates his demand for
the complete manuscript and outstanding first proofs.
-
OJ 11/22, [1] Envelope from the Gesellschaft der Musikfreunde to Schenker, dated March[?] 16, 1912
-
OJ 12/9, [5] Handwritten letter from Karpath to Schenker, dated March 3, 1912
Karpath expresses approval of Schenker's Kontrapunkt I and Moriz Violin's book on
the continuo. —He thinks highly of Violin and of Hans Weisse as a composer.
-
OJ 15/15, [G] Handwritten letter from Weisse to Schenker, dated March 16, [1912]
Weisse sends a newspaper clipping for Schenker's possible use in his Ninth
Symphony monograph.
-
WSLB 100 Handwritten postcard from Schenker to Hertzka (UE), dated March 13, 1912
Schenker proposes that his book Beethovens neunte Sinfonie and the edited full
orchestral score be published as separate volumes, and promises the additional revised text
of his Instrumentations-Tabelle the next day.
-
WSLB 101 Handwritten letter from Schenker to Hertzka (UE), dated March 14, 1912
Schenker sends the four new paragraphs for the 1912 edition of his
Instrumentations-Tabelle.
-
WSLB 102 Handwritten letter from Schenker to Hertzka (UE), dated March 17, 1912
Schenker returns proofs of gather 16 of his monograph Beethovens neunte
Sinfonie.
-
WSLB 103 Handwritten letter from Schenker to Hertzka (UE), dated March 19, 1912
Schenker responds combatively to Hertzka's warning about correction
costs.
-
WSLB 104 Handwritten letter from Schenker to Hertzka (UE), dated March 22, 1912
Schenker agrees with a suggestion for handling an oversize music
example.
-
WSLB 105 Handwritten letter from Schenker to Hertzka (UE), dated March 28, 1912
Schenker will send the complete manuscript only on receipt of written
assurance that it be returned to him later -- He speaks of being not only to "procreator" of
his work but also "a manufacturer, hence a busieness man." -- He implies his refusal to pay
any correction costs. He points out a placement error in gathering 16.
-
WSLB 98 Handwritten letter from Schenker to Hertzka (UE), dated March 4, 1912
Schenker returns page-proofs for gatherings 10 and 11 of Beethovens Neunte
Sinfonie and the formal diagram for movement 3.
-
WSLB 99 Handwritten express postcard from Schenker to Hertzka (UE), dated March 9,
1912
Schenker accepts Hertzka's invitation to a meeting.