-
OJ 12/6, [13] Handwritten letter from Jonas to Schenker, dated July 14, 1932
Jonas reports on his visit to Berlin, where he failed to meet with Furtwängler; —
discusses Brahms-Handel Saul and Beethoven Op. 109. — He has heard about the Fünf Urlinie-Tafeln
from Hoboken and Salzer; — discusses plans for publishing his Das Wesen des musikalischen
Kunstwerkes. — Has received books from Alfred Einstein.
-
OJ 5/18, 14 Handwritten letter from Schenker to Jonas, dated September 23, 1932
Schenker sends further addresses [for Jonas's subscription appeal]. —He fears
Hoboken may reduce his support.
-
OJ 12/6, [38] Handwritten letter from Jonas to Schenker, dated September 25, [1932]
Jonas reports letter from Hoboken re subscriptions to his Einführung; also
reports re publishing (Breithaupt), reviewing (for Einstein), and imminent broadcast talks,
and teaching next academic year; also re Sandra Droucker lecture on Schenker in
Oslo.
-
OJ 12/6, [17] Handwritten letter from Jonas to Schenker, dated November 27, 1932
Jonas has received a preliminary refusal from Anthony van Hoboken [over
subscriptions for Das Wesen des musikalischen Kunstwerks], and seeks Schenker's advice;
reports contact with Furtwängler; comments on lectures given by Webern.
-
OJ 12/6, [20] Handwritten letter from Jonas to Schenker, dated March 20, 1933
Van Hoboken is willing to advance 600 Mk for the Einführung; Jonas inquires,
in that regard, after the plan to reprint Schenker's Harmonielehre, indicating that he had
previously prepared a reformulation of that work for teaching purposes; — he alludes to
introductory lectures to Furtwängler concerts, and the Handel-Brahms Saul
project.
-
OJ 12/6, [21] Handwritten postcard from Jonas to Schenker, dated May 2, [1933]
Jonas thanks Schenker for Brahms study; — he will be in Vienna to see Hoboken on
16th and will visit Schenker.
-
OJ 12/6, [46] Handwritten postcard from Jonas to Schenker, dated October 31 [1933]]
Jonas has been sick; — he has seen Furtwängler briefly; — Jonas believes that he
will not have space for the planned appendix on the Photogramm Archive in his book; — he
inquires about Hoboken.
-
OJ 12/6, [25] Handwritten letter from Jonas to Schenker, dated December 3, 1933
The majority of Jonas's Das Wesen des musikalischen Kunstwerks has gone to the
printer; — Furtwängler has promised to recommend it to the Berlin Hochschule für Musik; — no
word from van Hoboken. Jonas inquires after Free Composition.
-
OJ 12/6, [29] Handwritten letter from Jonas to Schenker, dated March 30, 1934
Jonas wishes the Schenkers a happy Easter. — His book expected out April 20:
Jonas wonders if it would be a good idea to ask Furtwängler for a letter for
it.
-
OJ 12/6, [31] Handwritten letter from Jonas to Schenker, dated April 15, 1934
Jonas acknowledges three communications; Hoboken has increased his subvention
for Jonas's book; Furtwängler has agreed to write a supporting letter. — Jonas proposes a
series of individual critical introductions to most frequently performed piano works and
concertos.
-
OJ 5/18, 41 Handwritten letter from Schenker to Jonas, dated April 23, 1934
Free Composition is completed. Schenker is pleased that Hoboken has come
round; — he gives Weisse's address; — Schenker has ordered five copies of Jonas's book; — he
reports that Salzer has completed a new book; — questions Jonas about his new plan, but
welcomes it; — Goos may not realize that Schenker is a Jew.
-
OJ 5/18, 43 Handwritten letter from Schenker to Jonas, dated June 24, 1934
Schenker reports on visit from Furtwängler and future visit; — reacts to news
in Jonas's letter; — Brahms on Beethoven's notation; — printing of Der freie Satz begins
soon.
-
OJ 10/3, [213] Typewritten letter from Deutsch to Schenker, dated June 29, 1934
Deutsch responds to queries about the forthcoming publication of Der freie
Satz, making recommendations about the contract, and the way in which Anthony van Hoboken is
to be invoiced for his financial support; he offers to proofread the text when the time
comes. -- His difficulties with Hoboken continue, this time over the purchase of some
inexpensive editions of music which could be replaced with better ones. -- He is to give a
course at the Vienna Academy; Hoboken needs to be informed about this, and he would like to
be able to tell Hoboken that he is offering this course at Schenker’s
prompting.
-
OJ 12/6, [33] Handwritten letter from Jonas to Schenker, dated June 29, 1934
Jonas describes his summer travel plans, including Bayreuth; hopes to meet
Schenker in Vienna in August. Reports state of play on his book, a proof copy of which
Furtwängler is reading. Reports on recent lecture, and prospect of another
lecture.
-
OJ 14/1, [2] Handwritten letter from Salzer to Schenker, dated July 16, 1934
Salzer reports that he has secured his contract with Saturn Verlag. — He and his
wife have agreed to separate.
-
OJ 12/6, [34] Handwritten letter from Jonas to Schenker, dated July 19, 1934
Jonas acknowledges two postcards, thanks Schenker for his note [re Das Wesen
des musikalischen Kunstwerks]; has heard nothing from Hoboken; Furtwängler is too busy to
read the book now; Jonas is going to Bayreuth. An errata list will have to be produced for
the book.
-
OJ 5/18, 47 Handwritten letter from Schenker to Jonas, dated July 22, 1934
Schenker praises Jonas's book highly; gives Hoboken's current address; —
Furtwängler has written a recommendation for Moriz Violin, who would like go to Jerusalem;
asks whether Vrieslander and Oppel are subscribers. — Comments on Bayreuth and
Wagner.
-
OJ 5/18, 49 Handwritten letter from Schenker to Jonas, dated August 2, 1934
Schenker expresses heartfelt thanks to Jonas for his book; their project is
fundamentally one of "present-day Jewry." — An excerpt from Der freie Satz is to appear in
Der Kunstwart. —Schenker has had to give up Willfort and Kraus because of their negligence
regarding the planned Urlinie-Tafeln vol. II.
-
OJ 12/6, [36] Handwritten letter from Jonas to Schenker, dated August 6, [1934]
Jonas alludes to the Dolfuss assassination; gives his reactions to Bayreuth
(which he has just visited) and the Wagner cult. — He is seeing his publisher about the
proposed commentary editions.
-
OJ 5/18, 50 Handwritten picture postcard from Schenker to Jonas, dated August 7, 1934
Schenker suggests the publisher should send Vrieslander a copy of Jonas's
book; — Hoboken's plans to be in Vienna.
-
OC 44/16 Handwritten letter from Robert Brünauer to Schenker, dated August 8, 1934
Brünauer reacts favorably to Oswald Jonas's newly published
book.
-
OJ 12/6, [37] Handwritten letter from Jonas to Schenker, dated August 23, 1934
Jonas seeks advice on what to include in the first issue of the planned
elucidatory editions; — distribution of his book is delayed until September; — Jonas is
correcting proofs of two articles.
-
OJ 12/6, [43] Handwritten letter from Jonas to Jeanette Schenker, dated March 9, 1935
Jonas thanks Jeanette for the opportunity to look at work of Schenker's
[unspecified]; Jonas, Salzer, and Saturn Verlag wish to bring out a music journal in
Schenker's memory: Jonas requests access to unpublished materials; he inquires whether
Jeanette has reached an understanding with Saturn Verlag over aphorisms.
-
OJ 15/16, [99] Handwritten letter from Hans Weisse to Jeanette Schenker, dated July 14,
1935
Weisse thanks Jeanette Schenker for her letter and copy of Der freie Satz
which he has read through and is about to study carefully. His initial impressions are that
its conception and content are impressive, but that there are a lot of misprints; and he
regrets that the foreword does not mention the financial help Schenker received from [Paul]
Khuner. He approves Jeanette's idea of depositing Schenker's Nachlass in the
Photogramm-Archiv in the Austrian National Library.
-
OJ 10/18, [13] Handwritten letter from Elias to Jeanette Schenker dated August 1, 1935
Jeanette Schenker, currently in Hofgastein, has decided where to live in the
future; that involves leaving Keilgasse. — Elias supports Jeanette in her view of a new
edition of Harmonielehre. — Elias is surprised to hear the plan for a Schenker Institute in
Vienna. — She regrets that Schenker's aphorisms will not be published by Ungar. — She has
been unable to meet with Moriz Violin regarding the "Appassionata" Sonata. — She is reading
Der freie Satz.