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OJ 9/12, [3] Handwritten letter from Carl Bamberger to Schenker, dated February 23,
1925
As a follow-up to his previous letter, Bamberger gives a full account of the
number of subscriptions to Der Tonwille that he has either instigated himself or encouraged
others to take on.
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OJ 6/7, [21] Handwritten letter from Schenker to Moriz Violin, dated May 16, 1925
Making preparations with his solicitor for the legal action against Universal
Edition, Schenker asks Violin to find out whether Max Temming paid for the additional
subscriptions to Der Tonwille directly through Albert Gutmann in Vienna, or through the firm of
Hofmeister in Leipzig. He is nearing completion of the contents of the first Meisterwerk
yearbook and asks Violin whether he has yet made summer plans and whether these might include a
trip to Galtür.
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OJ 10/3, [134] Handwritten picture postcard from Deutsch to Schenker, dated December 14,
1930
Deutsch thanks Schenker -- and Hans Weisse -- for Weisse’s lecture. Hoboken
has recently acquired a second edition of Beethoven’s Sonata Op. 22, which Schenker may wish
to consult.
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OJ 6/8, [13] Handwritten letter, with envelope, from Schenker to Violin, dated June 12,
1932
Schenker refers to his “betrayal” by Herman Roth and shares with Vrieslander’s
letter on the subject. He updates Violin on the forthcoming publication of the Fünf
Urlinie-Tafeln, accusing the Mannes School of getting more publicity and profits from the
sale of the work than it deserves.
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OC 54/366 Typewritten letter from Deutsch to Schenker, dated June 22, 1932
Deutsch has received the proofs to the Fünf Urlinie-Tafeln, for which he
reckons two days’ work to insure that there are no mistakes. He advises Schenker to have a
sample copy of the cover made, and suggests numbering the graphs, even assigning roman
numerals to them so that they can be put into the correct folder in case a second set of
graphs is published.
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OC 54/368 Typewritten postcard from Deutsch to Schenker, dated June 27, 1932
Deutsch has been in touch with Hofmeister, the distributor for Universal
Edition which has a close relationship with the publishing house; he suggests that Schenker
could deal directly with U. E. [over the distribution of the Fünf Urlinie-Tafeln]. He does
not yet have any idea of the production cost or the proposed selling price.