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OJ 9/6, [10] Handwritten letter from Eugen d'Albert to Schenker, dated December 10,
1894
Eugen d'Albert regrets having been able to find a time for them to meet
while he was in Vienna, and gives his temporary forthcoming
address.
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Sbb B II 4427 Handwritten letter with envelope from Schenker to Busoni, dated January 2,
1899
Schenker thanks Busoni for his latest letter and announces his concert tour
with Johannes Meschaert January 7 to February 3, 1899.— He writes the valediction and
signature in the form of a IV-V-I cadence.
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WSLB 47 Handwritten letter from Schenker to Hertzka (UE), dated November 9, 1909
Schenker resists attending a meeting with Hertzka and von Wöß regarding the
printing of his edition of the Chromatic Fantasy & Fugue; asserts his rights as an
author to control over his own material; and makes claims for the introduction to his
Instrumentations-Tabelle, which was not accepted for inclusion in 1908
reprinting.
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WSLB-Hds 191.565 Handwritten letter from Schenker to Deutsch, dated July 20, 1930
In this 16-page response to a letter from Deutsch, Schenker thanks his
correspondent for his unstinting assistance (in relation to the third Meisterwerk
yearbook) and underlines the importance of a collected edition of the works of C. P.
E. Bach. — He then launches a long and detailed denunciation of Anthony van
Hoboken’s character, referring in particular to his treatment of Otto Vrieslander,
his ambivalence towards projects associated with the Photogram Archive, and his
absconding to Berlin to study the piano with Rudolf Breithaupt; Hoboken is
thoroughly undeserving of a high honor conferred by the Austrian
state.
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OJ 89/7, [7] Typewritten letter (carbon copy) from Hoboken to Schenker, dated March 15,
1934
Hoboken outlines plans to expand publicity for the Photogram Archive. —
Reports re his work on Chopin's Scherzo Op. 54, which he will bring to his April 3 lesson. —
Refers to the invitation to Schenker to contribute to the journal of the
Reichsmusikkammer.
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OJ 12/6, [33] Handwritten letter from Jonas to Schenker, dated June 29, 1934
Jonas describes his summer travel plans, including Bayreuth; hopes to meet
Schenker in Vienna in August. Reports state of play on his book, a proof copy of which
Furtwängler is reading. Reports on recent lecture, and prospect of another
lecture.
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OJ 70/26, [1] Handwritten letter from Willem Mengelberg to Eva Violin, dated June 23, 1938
Mengelberg is unable to help Moriz and Eva Violin directly in obtaining positions
in America, but encloses a letter of recommendation to Julia Steinway for
Moriz.
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LC ASC 27/45, [16] Handwritten letter from Moriz Violin to Schoenberg, dated September 21,
1939
Violin expresses misgivings about his situation, and is concerned that his
daughter is in Amsterdam.