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... .X.10‒3 | * 3a * || Dear Sir, Please will you be so kind as to have the first volume of my Theories and Fantasies (Theory of Harmony) sent to Prof. Robert Fuchs, Imperial-Royal Professor of Composition at the Academy for Music in Vienna ‒ address ...
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... sample and request your approval regarding the composition of this paper for your "Yearbook." This is a type of paper similar to that used in the first Yearbook; and we would be able to acquire this paper at an especially attractive price, something which ...
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... 1897 (OJ 12/39, [1]) suggests that the “project” might have had something to do with Schenker’s search for a publisher; however, none of Schenker’s compositions were published by Lienau-Schlesinger, and Lienau’s letter is on the letterhead of the music ...
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... Dear Director, Please be apprised that as of this moment the song compositions that I was told about have not yet been published by Simrock, nor are they included in the list of new publications. I have given instructions for them to be sent to me the ...
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... . Schenker distinguishes, as it were, the mental idea from the sensuous idea. He speaks of a musical foreground and background technique and I should like to express that more precisely through the likeness or an eternal truth: Every living thing in the world ...
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... recruit friends to the new institution, to lecture on currently burning issues in the art-political arena, for example, on "Good and Bad in Music," or on "The Immutability of Musical Forms," or on "Technique in the Symphonies of Brahms," or such like ...
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... , no doubt for want of suitable occasion. This is why they do not figure in this elegant study by Mr. Violin. The study is definitive; it provides an example of the technique from the work of each composer, elucidates this, and also includes the views ...
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... (Br. aus Edinburg): erkündigt sich nach dem “Freien Satz“; er schreibt ein ganz korrektes Deutsch, bei einem Engländer überraschend something interlinear below.” (“From Dunn (letter from Edinburgh): inquires after Free Composition: he writes in totally ...
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... zum freien Satz), zumal er von den Schülern darum geboten worden sei.” (“From Dunn (letter): thanks me for the portrait; he will continue the translation (“Bridges to Free Composition”), especially since he was begged for it by his students.”). — This ...
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... string orchestra (Stuttgart: Zumsteeg, 1916); Prelude and Fugue in C minor (Wolfenbüttel: Zwissler, 1918). A piano version of the C-minor fugue was published in vol. 4 of Halm’s compositions for piano (Stuttgart: Zumsteeg, 1911) Die neusten Dinge haben ...