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... eingeschalteter fallender Terzschritte (Chopin Mazurka, Asdur) oder 6/4-5/3 u. 6/4-5/3; Bach: Italienisches Konzert. March 21, 1913 Weisse: No exercises; once again questions concerning Beethoven Op. 2 No. 3: scale-steps in the development section; Chopin Mazurka ...
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... : staccato bei der 1., einige Fingersätze bei der 2., das staccato bei der 3., einiges bei der 5. Var.; op. 109, 1. S., sehr gut. October 15, 1913 Hupka: Op. 110 as far as the development section; Chromatic Fantasy as far as the 32nd-notes; attack with loose ...
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... minor for close study. Counterpoint: the syncopation species in two-voiced counterpoint anew; played four-hands: Bruckner's Ninth Symphony, first movement as far as the development section. ‒ ...
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... -Sonate Esdur auf Linie hin."auf Linie hin": at this point in the development of Schenker's ideas, this phrase is ambiguous, suggesting either a general pianistic sense "with a view to achieving a line," or a Schenkerian theoretical sense "with regard to the [Ur ...
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... Furtwängler; Rezitativ als Aufgabe. Takt 1 der Kreutzer-Sonate. Scarlatti Sonate E dur 2/4, neu (24. V.). Komorn: Schubert: Impromptu in G major. Beethoven: "Rage over a Lost Penny". Schumann: Quintet, first movement: fingering for the development section ...
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... heard; and since Brahms was not present, and could not at all have allowed the critical inclination to develop in the woman, she dares to invoke – in front of a young fellow – an impression she picked up somewhere as a mark of distinction. Of course ...
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... Ländler. Sonatas (in A minor) by C. P. E. Bach: first movement, development section in A minor. [Andante: counter-theme in C major already itself also, so to speak, representing the second theme, merely one, not several keys in the counter-theme. A more ...
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... the “Four Serious Songs“ by Brahms. [The vocal element as impediment for development of long spans, hence also of scale-degrees; that’s why voice-leading character as in these songs clings mostly to chorales and motets. In instrumental music this same ...
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... the contrast in the Rondo; some things from the Brahms Quartet and lastly the Brahms Trio, first movement, form; especially on I.b bars 13–17; inversion in the development bars 15–17 from the root of the Dominant built into the four-note chord bars 35 ...
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... . Schumann Quintet: development section completely clarified; see form and see vol. I; from her program: Chopin Prelude in D major; coy thumb on the G in measure 4. ...