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... 12. Bloch: Chopin: Ballade Gm neu; Erklärung bis zum Gegensatz in Esd; rep. Beeth-Son. ganz. December 12, 1913 Bloch: Chopin Ballade in G minor new; explanation up to the second subject in E major; revisited Beethoven Sonata entire. ...
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... 4. Hupka: (10h für 27. Juni!Substitute lesson because Heinrich and Jeanette would leave for summer vacation on June 27.) op. 109 Fuge bis Hmoll Comes gefeilt. June 4, 1914 Hupka: (10a.m., for June 27!) Op. 109 fugue as far as B minor subject ...
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Diary entry for 1912-11-26
... Brünauer). November 26. Three letters addressed to Floriz, in order to dispel his chagrin and to bring about normal order in our mutual visits. Weisse brings the solution to the second subject from Op. 109, first movement. Termination of the extra lessons ...
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Diary entry for 1929-02-05
... difficulties concerning the second subject of the first movement finally overcome. After lunch, errands with Lie-Liechen (in the evening, Hoboken). Lie-Liechen occupied with preparation the entire afternoon. From Halberstam (telegram): requests Wednesday or ...
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Diary entry for 1923-08-24
... finishing touches have been put. It clouds over at midday, the storm continues; our step outside at 5:30 fails and we return to work. Finishing touches up as far as "The consequent phrase of the closing subject." ...
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Diary entry for 1933-05-20
... Symphony: first subject of the first movement, Andante, and other things. Then: "Germany and the Jews" – Furtwängler is embarrassed and asks whether he would do better by moving to Vienna! Lie-Liechen has work to do until 2:30! ...
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... letzten Quellen des Geistigen bezieht. Hier eine Vortragsfrage: der 2. Gedanke des 1. Satzes der 8. Symphonie erscheint zuerst in Adur This should be "D major": A major is the dominant that prepares the initial statement of the second subject. dann erst in ...
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... because it is not labeled "fuga." And after all it is the most utterly simple type of fugue (two subjects!)! — so-called exposition, episodes, entry in remoter key, and F#-minor entry – reprise. When you have a chance, please drop me a line if you remember ...
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... my opinion it is possible to sustain the tempo throughout, including even the passage that you cite from the second subject, and moreover one would be advised to do so. In order to help achieve this completely, one could for practice imagine the main ...
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... sf in m. 4 of the subject ‒ only in the strings the sf, not at all in the winds. On p. 76 of the score Poco piu allegro the timpani's sf as it were divides the fugue into two halves. The groups of the Credo: a B-major section, D-minor section at the ...