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OJ 9/10a, [1] Handwritten letter from Hermann Bahr to Schenker, dated July 4, 1895
Article can be split across two issues, though with
disadvantages.
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OJ 9/10a, [2] Handwritten letter from Hermann Bahr to Schenker, dated July 25, 1895
Bahr apologizes for misunderstanding Schenker, and requests an article by
him on music education.
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OJ 9/8, [1] Handwritten letter from Wilhelm Altmann to Schenker, dated October 3,
1925
Altmann asks Schenker to send his [Hammer] portrait to the editor of Die
Musik.
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OJ 9/8, [2] Handwritten postcard from Wilhelm Altmann to Schenker, dated November 21,
1925
Altmann acknowledges receipt of the [Hammer] portrait. — He refers to a booklet
explaining Schenker's Urlinie.
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OJ 9/8, [3] Handwritten postcard from Wilhelm Altmann to Schenker, dated May 26, 1927
Altmann reports on conversion of Hoch Conservatory to
Hochschule.
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OJ 9/8, [4] Handwritten picture postcard from Wilhelm Altmann to Schenker, dated November 8,
1927
Altmann thanks Schenker for Masterwork 2; — Has retired but is temporarily
continuing in his position; — Reports publication of his handbook for string quartet
players.
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OJ 9/8, [5] Printed and handwritten card from Wilhelm Altmann to Schenker, dated April,
1932
[printed:] Altmann thanks those who sent good wishes for his 70th birthday. —
[handwritten:] Reports on his travel plans and his forthcoming publication.
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OJ 9/8, [6] Typewritten postcard from Wilhelm Altmann to Schenker, dated March 22, 1933
Altmann did not know of the letter from Brahms to Kalbeck about which Schenker
had written him. — He hopes for an economic upturn [now Hitler is in power].
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OJ 9/8, [7] Handwritten postcard from Wilhelm Altmann to Schenker, dated April 29, 1933
Altmann thanks Schenker for sending a copy of his Brahms Octaven und Quinten
article.