OJ 11/25, [1] Handwritten letter from Max Graf to Schenker, undated [c. 1896]

Encouraged by Hermann Bahr, Graf requests a (first) meeting and discussion with Schenker.

OJ 11/42, [26] Handwritten postcard from Maximilian Harden to Schenker, dated March 27, 1896

Harden welcomes Schenker's submission of a review of Karl Goldmark's Das Heimchen am Herd.

OJ 11/42, [27] Handwritten letter from Maximilian Harden to Schenker, dated December 23, 1896

Harden rejects the notion of publishing an article by Schenker anonymously; he agrees with Schenker that a frontal attack on modernism is necessary; he says he does not know Hofmannsthal's poetry, but hears he has great talent.

OJ 12/47, [1] Handwritten postcard from Ernst Mach to Schenker, dated December 2, 1896

Mach essentially agrees with Schenker, and gives Wallaschek's address.

OJ 13/29, [2] Handwritten letter from Rosenthal to Schenker, dated May 26, 1896

Rosenthal thanks Schenker for his words of friendship.

OJ 15/6, [1] Handwritten calling card from Richard Wahle to Schenker, dated March 24, 1896

Richard Wahle thanks Schenker.

OJ 9/6, [12] Handwritten letter from Eugen d'Albert to Schenker, dated April 5, 1896

Eugen d'Albert apologizes for not having yet performed Schenker's Zwei Clavierstücke, Op. 1. He discusses arrangements for pupil Paula Szalit, and incloses the piano reduction of his opera "Ghismonda," and reports on its Dresden reception.

OJ 9/6, [13] Handwritten letter from Eugen d'Albert to Schenker, dated April 24, 1896

A conflict of loyalty over concert agent obliges Eugen d'Albert to decline a concert with Arnold Rosé.

Diary entry by Schenker for 7 December 1896