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OJ 12/26, [1] Stenographic letter from the Rothschild Artists' Foundation to Schenker, dated
November 20, 1899
The Rothschild Artists' Foundation awards Schenker stipend of 600
Gulden.
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OJ 12/7, 4 Handwritten notecard from Kalbeck to Schenker, dated November 8,
1899
Kalbeck welcomes what Schenker may bring him, and suggests a
date.
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OJ 12/7, 5 Handwritten postcard from Kalbeck to Schenker, postmarked November 15,
1899
Kalbeck moves Schenker's morning visit to the afternoon, and warns that
his piano is out of tune.
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OJ 15/12, [C] Handwritten calling card from Weinberger to Schenker, undated
Weinberger offers his services to Schenker.
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OJ 5/19, 8 Handwritten letter from Schenker to Kalbeck, dated September [recte November?]
6, 1899
Schenker asks to play his Syrische Tänze and Op. 10 to
Kalbeck.
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OJ 5/19, 9 Handwritten letter from Schenker to Kalbeck, dated November 14,
1899
Schenker reminds Kalbeck of their arrangement.
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OJ 9/27, [9] Handwritten letter from Busoni to Schenker, undated [?November 7, 1899]
Busoni describes Schenker's Syrian Dances as "Secessionist." He advises Schenker
to think in the present, not in the future.
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OJ 9/6, [31a] Handwritten postcard from Eugen d’Albert to Schenker, postmarked November 14,
[1899]
Eugen d'Albert thanks Schenker for his "Syrian Dances" for piano duet, and
sends the piano reduction of his opera "Kain."
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Sbb B II 4429 Handwritten letter with envelope from Schenker to Busoni, dated November 6,
1899
Schenker reports having received his first honorarium [on publication of his
Syrische Tänze]; he expresses horror at the picture chosen for the title-page. He speaks of
a "stipend" that has not yet been received.