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CA 79 Handwritten letter from Schenker to Cotta, dated June 5, 1908
Schenker gives permission to divulge his name as author of Harmonielehre to
Breithaupt.
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OC 52/23 Typewritten letter from Hertzka (UE) to Schenker, dated June 30, 1908
Hertzka asks Schenker to visit him to clear up a matter over
payment.
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OC 52/421 Typewritten contract (carbon copy) between Schenker and UE, dated June 30,
1908
Contract for Schenker's Instrumentations-Tabelle
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OJ 11/29, [2] Handwritten postcard from Grunsky to Schenker, postmarked June 5, 1908
Grunsky will reply as soon as possible.
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OJ 14/23, [11] Handwritten postcard from Seligmann to Schenker, postmarked June 4, 1908
Seligmann gives the travel arrangements for their excursion (planned for
Sunday, June 7) and asks Schenker to meet him to discuss final
arrangements.
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OJ 14/23, [12] Handwritten postcard from Seligmann to Schenker, postmarked June 7, 1908
Seligmann suggests postponing the excursion to Kreuzenstein Castle by a
week.
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OJ 14/23, [13] Handwritten letter from Seligmann to Schenker, undated [probably June
1908]
Seligmann cannot meet Schenker at the coffee-house that evening. He suggests
that Moriz Violin might join them on the excursion to Kreuzenstein Castle on
Sunday.
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OJ 5/15, [2]-[3] Handwritten incomplete draft of a letter from Schenker to Grunsky, undated [?c. June
1, 1908]
Responding to Grunsky's request, Schenker gives his assessment of Bruckner's
music. First exploring common ground between him and Grunsky, he then offers "technical
reasons" why he regards Bruckner as "possessing minimal powers of invention," therefore
cannot call him a "master." In the process, he compares the "Komponisten" (composers) of the
present day unfavorably with the "Tonsetzer" (tonal craftsmen) of the past.
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OJ 9/31, [19] Stenographically handwritten letter from Cotta to Schenker, dated June 2,
1908
Cotta asks if they may divulge Schenker's name to Rudolf
Breithausen.
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WSLB 10 Handwritten letter from Schenker to Hertzka (UE), dated June 26, 1908
Schenker accepts an offer and asks for a contract for the Instrumentation
Table.
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WSLB 11 Handwritten postcard from Schenker to Hertzka (UE), dated June 30, 1908
Schenker asks for his honorarium to be sent promptly because of difficulties with
the post service to the Tyrol.
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WSLB 7 Handwritten letter from Schenker to Hertzka (UE), dated June 9, 1908
Schenker returns all remaining proofs of Ornamentik and calls for a third
proof.
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WSLB 8 Handwritten letter from Schenker to Hertzka (UE), dated June 16, 1908
Schenker sends the text of his Foreword for Ornamentik.
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WSLB 9 Handwritten letter from Schenker to Hertzka (UE), dated June 23, 1908
Schenker promises a list of people in German to receive complimentary copies of
Ornamentik, and a new proposal.