... struggle against their benefactors – he remarked, in a strange tone of voice, that he too is among the guilty, since in the previous year he mounted a campaign against me on account of the lesson fee. He expressly admitted that I was completely in the right ...

... 24. XI. Weisse: Aufgaben 1+2+4i.e. mixed-species counterpoint of three voices, one in 1st species, one in 2nd species, one in 4th species. — Several of Weisse’s exercise books from his studies with Schenker have survived: for a detailed description ...

... and effort in his research into voice-leading problems.” This and the lessonbook entry appear to be the first reference to Brahms’s Oktaven und Quinten u.A., of which Schenker made an edition with commentary in 1933; “against all expectation” suggests ...

... 12. Weisse: letzte Kontrapunkt-Aufgaben; Einleitung zum Generalbaß.Cf. his lesson for January 8. Weisse had embarked on counterpoint studies in November 1912, working through two- and three-voice counterpoint up to this point. He is now embarking on ...

... . are a new and short-lived shorthand for number of voices (II) and species (1, 2). This is used only in the lesson notes for Breisach and Hupka, and only between January and June 1914.; selbst aus Philipp Eman. Bachs SonatenThis may refer to Schenker ...

... 4. Hupka: Mischungs-Aufgaben mit Zugrundelegung der 2. Gattung,Hupka had been studying five- and six-voice counterpoint at the time of his March 27 lesson. Following the scheme of the as yet unpublished Kontrapunkt II, today’s work corresponds with ...

... 7. Breisach: II 4;i.e. two-voice counterpoint, 4th species. CantatenSchenker’s diary for April 6 records his attendance (at the invitation of Moriz Violin) of a rehearsal of five Bach cantatas in the Konzerthaus under Siegfried Ochs. In Elias ...

... 17. Breisach: II 4, Anweisung zu II 5.i.e. two-voice counterpoint, 4th and 5th species respectively. Chopin Ballade Asd, Weg zu A3; Mannigfaltigkeiten in der Harmonisierung u. der Witz der Verkoppelung.“Verkoppelung”: probably no relation to the ...

... 20), with one indeterminate, so it is impossible to build a complete picture of her lesson schedule. October 8, 1914 Elias: First chorale from the St. Matthew Passion in different versions with elucidations of voice-leading. Brahms Intermezzo Op. 119 ...

... minor for close study. Counterpoint: the syncopation species in two-voiced counterpoint anew; played four-hands: Bruckner's Ninth Symphony, first movement as far as the development section. ‒ ...