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... 7. Weisse: keine Aufgaben; Fragen aus dem QuintettWeisse’s String(?) Quintet was composed in 1912, and the first movement revised in 1913. It bears no opus number, and is now lost. See Timothy L. Jackson, Punctus contra punctus…, Journal of ...
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... 18. Weisse viel Aufgaben, gutWeisse’s study of counterpoint in April 1913 is discussed in detail in Timothy L. Jackson, Punctus contra punctus …, Journal of Schenkerian Studies iv (2010), 138 and 140–42, collated with Weisse’s own surviving ...
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... 19. IV. Hupka: zwei Stellen aus Prälude 3; noch einmal modulatorische Bedeutung der Intervalle vom Standpunkt der Diatonie. Erweiterung der Möglichkeiten durch Mod. + Mischung oder Chromatik + Umdeutung; so möglich von Cd nach Gm u.s.f. Fortsetzung ...
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... memory by March 22 (cf. her lesson notes). The work is not referred to in her lesson notes for April and May.; Bach: Cmoll Präludium, Fuge; Dm Gavotte.The only other reference in Kahn’s lesson notes for 1912/13 to a Gavotte or a Suite is that for May 10 ...
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... 13. Weisse: Aufgaben, 4 u. 5-stimm. GattungImprecise wording. The content of Weisse’s study of counterpoint on this day can be seen from that on June 6, 1913, which is discussed in Timothy L. Jackson, Punctus contra punctus …, Journal of Schenkerian ...
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... 6. X. Deutsch: Brahms Quartett Cm,Schenker worked on Brahms’s Piano Quartet No. 3 in C minor, Op. 60, in October 1913 with a view to publishing his material in his planned Kleine Bibliothek. It did not appear in Der Tonwille or any other published ...
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... 16. Weisse: Aufgaben 1+2+2 u. 1+1+2+2,i.e. mixed-species counterpoint of three voices, one in 1st species, two in 2nd species; and counterpoint of four voices, two in 1st species, two in 2nd species. — Several of Weisse’s exercise books from his ...
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... 12. III. Deutsch:Schenker’s diary for this day records: “Mrs. Deutsch suggests that I meet with her and her brother [Fritz Mendl] once a week at a coffee house; a suggestion that I immediately turned down, with respect to my being overburdened – at ...
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... .e. Guido Adler's seminar at the Musikhistorisches Institut, Vienna University. See also reference in notes for Figdor. The chorale is BWV 2/6 or BWV 77/6, Riemenschneider 262 or 253.-Prüfung). Einiges aus dem Generalbaß nach Seb. Bach.J.S. Bach's Precepts ...
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... 1. IX. 25 Lieber Doktor SchenkerReceipt of this letter is recorded in Schenker’s diary for September 2, 1925: “Von Hammer (Br.): brauche Geld – wie verwerten?” (“From Hammer (letter): says he needs money – how to turn it to account?”). Sehr schönen ...