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... gebracht werden muß, bevor man Beethoven in das falsche Licht setzt u. auf sich selbst den Nachteil eines ungünstigen künstlerischen Rufes ladet. January 20, 1912 Kahn: “Kreutzer” Sonata; the pupil‘s erronious point of view, allowing her false regard for ...
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... , it could be that of Brahms, Op. 39, No. 7 or 16. — This entry is followed by another that appears also in Schenker’s diary for January 22 (Heinrich used the lessonbook as a holding place for diary entries, sidelining them to indicate that they should ...
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... bringen, daß die größte Schwierigkeit sich als erreichbar darstellt.This entry is followed by another that appears also in Schenker’s diary for January 23. (Heinrich used the lessonbook as a holding place for diary entries, sidelining them to indicate that ...
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... Delikatessen.This entry is one of a sequence in which Schenker teaches Pairamall the principles of orchestration. —“Jahreszeiten … Delikatessen” appears identically also in Schenker’s diary January 25. The passage is sidelined in the left margin by Heinrich in ...
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... the dominant has been sounded does the main key itself enter.] Memory of Brahms‘s performance of this piece; the first lukewarm applause came just after the Allegretto! The Andante was a flop. ...
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... ” – “Letter to Leitmeritz”), which does not appear in Schenker’s diary, but has been added to it editorially at February 25 February 24, 1912 Pairamall: about the “snap” in relation to the trill; and continuation of the fingering up to the third theme. ...
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... 2. X. Elias: aus dem Gedächtnis geschrieb. Prälud. von Chopin.Cf. Elias’s lesson notes for October 5, 7, and 9. The identity of the work or works is, however, uncertain: Oct 2 “Präl. von Chopin”; Oct 5 “Desdur Präl.”; Oct 7 “Hm Präl.”; Oct 9 “Dd ...
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... 9. X. Elias: Thema u. 3 Var. Händel genau festgestellt; letzte mündliche Erörterung des Vortrags des Desd Präl. v. Chopin behufs schriftl. Ausfertigung.Cf. Elias’s lesson notes for October 2, 5, and 7. The identity of the work or works is, however ...
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... 21. X. Deutsch: Händelvariationen 4. u. 5; Chopin Polonaise ganz, jedoch den Mittelteil noch nicht genügend durchgearbeitet; über die Beschleunigung in T. 3 u. 4 der Polon. siehe Notiz; über freien Rhythmus überhaupt s. Notiz.Notiz: reference ...
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... Harmonielehre, pp. 77–84 including Ex. 54 (Eng. transl., pp. 60–66 with Ex. 47). — Cf. Weisse’s lesson notes for October 15. October 25, 1912 Weisse: Answers to various questions arising from my Theory of Harmony about artificiality in minor; the evidence for ...