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... Scherzo mehr als einen geschriebenen Takt umfassend: . October 29, 1912 Brünauer: C minor Etude, improved; and about the subdivision of the bar in the Scherzo of Beethoven‘s Fifth Symphony, on the occasion of the performance by Weingartner. The solution is ...
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... ;Schenker must be speaking of Weisse’s own set of waltzes: Hans Weisse, 15 Walzer für Pianoforte zu 2. Händen, Op. 3, composed in 1911; see Timothy L. Jackson, Punctus contra punctus …, Journal of Schenkerian Studies 4 (2010), pp. 87–186, esp. p. 184, or other ...
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... 12/XII. Newlov: Konzert:It is not possible, on the basis of the lessonbook, to determine which concerto this is, though Newlov’s lesson notes for December 5 suggest that it, too, is by Beethoven; however, this note makes a comparison with the ...
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... !). January 4, 1913 Kahn: Syncopation exercises in three-voices, good. J. S. Bach, two-voice E minor fugue, first section. Emphasis on the allegedly free features of the counterpoint, which nevertheless trace back to strict ones. The answer goes not to F major ...
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... Schöpferlust an den Motiven u. Motivchen betätigte; der Gebende muß eben immer formen – der Nehmende kümmert sich darum nicht u. kommt daher in die Lage mit Liebe Geformtes nicht nehmen zu können!Schenker’s diary for February 22, 1913 has similarly: “Der ...
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... , section 1, chapter 1 Modulation durch Umdeutung, §§171–173, pp. 423–27 (Eng. transl., pp. 321–25). Bsp aus op. 109, 1. S. dort V3 III3 - I! vgl. Haydn Cism Sonate. March 29, 1913 Hupka: Continuation of my Theory of Harmony; the chapter on the triad ...
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... . — Schenker’s diary for April 17 has the entry: “Ueber die Nebennoten in Chopins Prälude 2.” (“Concerning the neighbor-notes in Chopin's Prelude No. 2.”). Quart im Motiv als Quint; über I–VI–IV–II V; Modul. durch Umdeutung, hierauf Erhöhung, d–dis–e; Erhöhung ...
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... ; London: Eulenburg, 1974), pp. 209–16 The Chord of the Sixth (I); pp. 217–22 The Chord of the Sixth (II) – 22 and 14 paragraphs, respectively. Schenker is using Bach’s own terminology here: certain “chapters” (Kapitel) are subdivided into two “sections ...
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... 8. XI. Lie-Lie: Beethoven Asd, 1. 2. + 4. Satz; noch außer Verhältnis zum Instrument, aber sicher im Besitz des bereits Errungenen. Chopin: Berceuse vorzüglich; Czerny: tägliche Uebungen.Perhaps Czerny’s 40 tägliche Studien, Op. 337, or 100 leichte ...
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... 10. XI. Weisse: Aufgaben sehr gut; die neu angelangte Photographie des 2. AutographsSchenker’s diary for this day records: “From Frankfurt, the second autograph manuscript [containing the Recitativo, Arioso dolente, and last movement] of Op. 110 ...