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CA 73 Handwritten postcard from Schenker to Cotta, dated January 3, 1908
Schenker asks for the review of his Harmonielehre by Karl Grunsky to be sent
to him.
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CA 74 Handwritten postcard from Schenker to Cotta, dated January 16, 1908
Schenker asks for a copy of his Harmonielehre to be sent to
Busoni.
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OJ 12/38, [A-B] Handwritten letter and envelope from Hans Liebstöckl to Schenker, undated
Liebstöckl returns Schenker's score of Das Rheingold with apologies for
lateness.
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OJ 13/37, 1 Handwritten letter from Ernst Rudorff to Schenker, dated January 23, 1908
Grunsky replies to Schenker's inquiry about a passage in Chopin's Ballade No.
2, and welcomes Schenker's advocacy of the Urtext principle.
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OJ 5/15, [1] Incomplete handwritten draft letter from Schenker to Grunsky, dated January 21,
1908
Schenker has not responded to Grunsky's invitation because of pressure of work
with Kontrapunkt. — He thanks Grunsky for his review of Harmonielehre; justifies favoring
the piano repertory there; remarks on Strauss and Reger with respect to "good" and "bad." —
He refers to his Formenlehre as vol. III of his Neue musikalische Theorien und
Phantasien.
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OJ 5/35, [1] Handwritten draft letter from Schenker to Ernst Rudorff, dated January 21,
1908
Schenker makes a first approach to Rudorff; it concerns interpretation of a
passage in Chopin's Ballade No. 2, Op. 38; — He asserts his belief in consulting -- and
teaching students to consult -- only original sources, and in the Urtext
principle.