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OJ 10/1, [53] Handwritten letter from Dahms to Schenker, dated June 15, 1920
Dahms sends birthday greetings and reflects on the sorry conditions for the arts
prevailing in the current political climate.
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OJ 11/2, [1] Handwritten letter from Emma Fischer to Schenker, dated February 15, 1923
Baroness Fischer responds to Schenker's plan for distribution of issues of Der
Tonwille by suggesting contacts in the Vienna music schools and professional
association.
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OJ 11/54, [14] Handwritten letter from van Hoboken to Schenker, dated August 7, 1927
Hoboken reports on recent travels, including the July 15, 1927 Vienna riots. – He
has made progress on his index of Haydn's works, and has purchased some Beethoven first
editions. – He hopes to meet Furtwängler soon, and has recently heard from Vrieslander. – He
asks Schenker to inscribe a copy of Meisterwerk 2 to John Petrie Dunn.
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WSLB-Hds 191.519 Handwritten letter from Frimmel to Schenker, dated beginning of December 1929 [recte
1928]
Frimmel thanks Schenker for his good wishes. He is unable to visit Schenker to
give him certain information and regarding a supposed Beethoven portrait.
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PhA/Ar 56, [4] Handwritten letter from Schenker to Haas, dated November 12, 1930
Schenker offers Haas a line of inquiry for tracing Beethoven source
materials.
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OJ 14/10, [10] Handwritten letter from Rosa Weil to Heinrich & Jeanette Schenker, dated
November 13, 1933
Rosa Weil incloses a letter from Victor Schiff, commenting on its contents,
speculating as to why he has returned from Palestine. — She reports Klara’s present violent
condition, remarking on Klara’s husband Oskar’s stoicism. — She describes the family’s
recent holiday in Austria. — She admits being musically uneducated.