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OC 52/63 Typewritten postcard from UE to Schenker, dated July 27, 1911
UE confirms sending Schenker's edition of the Chromatic Fantasy and Fugue to
Gottfried Galston. Hertzka is on holiday, and will reply on his return.
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OJ 14/23, [17] Handwritten lettercard from Seligmann to Schenker, dated July 25, 1911
Seligmann has found a newspaper article that Schenker was looking for. He is
recuperating in Ischl.
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OJ 15/15, [J] Handwritten letter from Weisse to Schenker, dated July 9, [1911]
On summer holiday with little in the way of fixed plans, Weisse will be working
on some new piano pieces and asks Schenker's advice about form in the Ballade, Fantasy, and
Rondo.
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OJ 8/1, [4] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated July 1,
1911
Schenker reports on Jeanette's and his journey to Sulden.
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OJ 8/1, [5] Handwritten picture postcard from Heinrich Schenker and Jenny Kornfeld to Moriz Violin,
dated July 10, 1911
Schenker asks why Violin is silent about visiting them.
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OJ 8/1, [6] Handwritten postcard from Heinrich Schenker and Jenny Kornfeld to Moriz Violin, dated
July 22, 1911
Violin has written an unclear letter: Schenker presses him to say why he isn't
coming to visit; and Jenny Kornfeld urges him not to be so poor a
correspondent.
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WSLB 78 Handwritten letter from Schenker to Hertzka (UE), dated July 23, 1911
Schenker asks that a copy of his Chromatic Fantasy & Fugue edition be send
to Gottfried Galston. —He reports creation of his "Die Kunst des Vortrags" and "Kunst und
Kritik". —He is pleased that the Beethoven/Bach project may yet be realized, and justifies
his editorial stance with reference to Rodin and architecture, and suggests it might be
published in Germany as retribution against Bopp and Wiener. —He is working now on
Counterpoint II for Cotta.