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OC 52/91 Typewritten letter from Hertzka (UE) to Schenker, dated July 13, 1912
The Chromatic Fantasy edition and Ninth Symphony monograph will be sent as
requested; the [contract for the] Letzen fünf Sonaten edition will be dealt
with.
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OC 52/92 Typewritten letter from Hertzka (UE) to Schenker, dated July 19, 1912
Hertzka sends the draft contract for Die letzten fünf Sonaten, and will deal
with the Musicians' Organization in the fall.
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OC 52/94 Handwritten and typewritten postcard from UE to Schenker, dated July 23,
1912
Hertzka is out of town.
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OJ 11/17, [2] Handwritten letter from Eduard Gärtner to Schenker, dated July 14, 1912
Eduard Gärtner regrets that he is unable to help.
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OJ 12/29, [4] Typewritten letter from Carl Lafite (Gesellschaft der Musikfreunde) to Schenker,
dated July 27, 1912
Lafite acknowledges OJ 5/14, [1] and Schenker's assent to taking part in the
planned series of lectures.
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OJ 13/37, 14 Handwritten letter from Rudorff to Schenker, dated July 18, 1912
Rudorff writes admiringly of Schenker's new book, Beethovens Neunte Sinfonie;
— He responds to Schenker's question about the whereabouts of the autograph manuscript of
Beethoven's Piano Sonata in E major, Op. 109, speaking also of his own former editorial
work.
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OJ 15/16, [6] Handwritten letter from Weisse to Schenker, dated July 7, 1912
Weisse asks Schenker a technical question about musical form; reports that Julia
Culp is considering singing his Mädchen-Lieder.
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OJ 15/16, [7] Handwritten letter from Weisse to Schenker, dated July 21, 1912
Weisse reports on progress with his string quintet.
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OJ 15/6, [10] Handwritten letter from Fritz Wahle to Schenker, dated July 26, 1912
Fritz Wahle thanks Schenker profusely for sending him his book on Beethoven’s
Ninth Symphony, which he will read through quickly. He has acquired a copy of the score of
the work.
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WSLB 125 Handwritten letter from Schenker to Hertzka (UE), dated July 5, 1912
Schenker provides his summer address and looks forward to working on the
musicians' organization when be returns.
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WSLB 126 Handwritten letter from Schenker to Hertzka (UE), dated July 11, 1912
Schenker has referred a textual anomaly in Beethoven Op. 109 to Ernst Rudorff,
and asks for the contract for Die letzten fünf Sonaten to be sent to him.
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WSLB 127 Handwritten postcard from Schenker to Hertzka (UE), dated July 12, 1912
Schenker asks for a copy of his edition of the Chromatic Fantasy and Fugue, to
forward to a "colleague."
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WSLB 128 Handwritten letter from Schenker to Hertzka (UE), dated July 21, 1912
Beethovens neunte Sinfonie: Schenker justifies the higher number of proof
corrections and reiterates his demand for a supplementary honorarium. -- Die letzten fünf
Sonaten: he objects to a clause in the draft contract concerning correction costs, and
emphasizes the expenses that he himself is incurring in preparing the
edition.