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OC 52/231 Typed letter from Kalmus and Detoni (UE) to Schenker, dated September 8,
1920
Kalmus encloses print samples of type-sizes for the Kleine Bibliothek, and
promises samples of the engraving, and copies requested.
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OC 52/232 Postal receipt for letter from Schenker to Kalmus (UE), dated September 20,
1920
Postal receipt for return of documentary evidence [regarding payment for the
Instrumentations-Tabelle]; notifies of addition to Op. 101.
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OC 52/233 Typed letter from Detoni and Kalmus (UE) to Schenker, dated September 23,
1920
UE is sending over large and small engraving samples of the Kleine Bibliothek for
Schenker's approval, and confirms receipt of the documentary evidence and Schenker's previous
letter.
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OC 52/411 Typed letter from Detoni and Kalmus (UE) to Schenker, dated September 14, 1920
Kalmus is glad Schenker approves of the type samples and gives estimates for the
extent per page, has not yet heard from Wellesz re the "Appassionata" Sonata, is contacting
Hertzka about the "Waldstein" Sonata photography, will send documentary evidence regarding a
1912 payment, and sends copies of Beethoven sonatas.
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OC B/158 Handwritten postcard from Wilhelm Altmann to Schenker, dated September 25,
1920
Altmann notifies Schenker of the cost of photographic work
done.
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OC B/159 Typewritten postcard from Wilhelm Altmann to Schenker, dated September 20,
1920
The photographs of Beethoven's Fifth Symphony, first movement, should be
dispatched next week.
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OC B/160 Postal receipt for a package from Schenker to Wilhelm Altmann, postmarked September 30,
1920
Postal receipt for return of Lischke edition of[ Beethoven Op.
2].
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OJ 10/1, [58] Handwritten postcard from Dahms to Schenker, dated September 2, 1920
Dahms explains the sources of the three books. — Vrieslander gave him an
enthusiastic account of his time in Seefeld.
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OJ 10/3, [15] Typewritten letter from Otto Erich Deutsch to Schenker, dated September 13,
1920
Deutsch asks Schenker to clarify whether bars are missing from the start of
the "Moonlight" Sonata manuscript, as well as from the end. Deutsch outlines Universal
Edition's intended format for the volume, and ask if Schenker approves of their proposals.
Deutsch has written again to Wilhelm Kux requesting a copy of the sketchleaf, and reminds
Schenker to examine the sketchleaf of the Sonata that was reproduced in the Musical
Times.
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OJ 5/18, [E] Handwritten postcard from Schenker to Jonas, dated September 27, 1920
Schenker is unable to give Jonas lessons, and suggests Felix Hupka.
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OJ 9/30, [7] Handwritten letter from Carl Colbert to Schenker, dated September 6, 1920
Carl Colbert invites Schenker to submit an article to Der Abend for the 150th
anniversary of Beethoven's birth.