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JOB 94-3, [1] Handwritten letter from Schenker to Hammer dated December 19, 1921
Schenker seeks to articulate the difference between the painter's and the
composer's work as regards the Urlinie, using the terms "Ton" (vs. "Farbe"), "Tonkörper,"
and "Linie".
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JOB 94-3, [1] Handwritten letter from Schenker to Hammer dated December 19, 1921
Schenker seeks to articulate the difference between the painter's and the
composer's work as regards the Urlinie, using the terms "Ton" (vs. "Farbe"), "Tonkörper,"
and "Linie".
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JOB 94-3, [1] Handwritten letter from Schenker to Hammer dated December 19, 1921
Schenker seeks to articulate the difference between the painter's and the
composer's work as regards the Urlinie, using the terms "Ton" (vs. "Farbe"), "Tonkörper,"
and "Linie".
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OC 65/59v Handwritten letter from Anna Fried to Schenker, dated December 28, 1921
Anna Fried sends New Year's greetings.
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OJ 10/3, [26] Typewritten postcard from Otto Erich Deutsch to Schenker, dated December 28,
1921
A payment of 1,200 marks from Seidel's Book Dealership, on behalf of Deutsch,
has been made to Schenker's Deutsche Bank account.
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OJ 10/3, [27] Typewritten postcard from Österreichisches Credit-Institut to Schenker, dated
December 30, 1921
The Österreichisches Credit-Institut informs Schenker that 1,200 marks has
been paid into his account from Seidel's Book Dealership, O. E. Deutsch & Co,
Vienna.
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OJ 11/36, [4] Handwritten letter from Hammer to Schenker, dated December 9, 1921
Hammer owns several of Schenker's books and is beginning to understand their
concepts.
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OJ 15/15, [11] Handwritten postcard from Hertha and Hans Weisse to Schenker, dated December 1,
1921
Weisse has returned a score to Universal Edition and written to Moriz Violin. He
has, with some reluctance, raised his lesson fee.