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OC 54/15 Typewritten letter from Otto Vrieslander to Schenker, dated January 24,
1925
Vrieslander reports a recent meeting at Drei Masken Verlag with Alfred
Einstein, whose character he rates highly and who assured him that he was looking forward to
publishing Schenker's work.
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OC 54/15 Typewritten letter from Moriz Schenker to Heinrich Schenker, dated July 24,
1925
Moriz Schenker tells his brother that he will ask his friend Sobotka to
intervene directly in the matter of obtaining the advance of 250 marks from Drei Masken
Verlag
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OC 54/32 Typed letter from Moriz Schenker to Schenker, dated July 28, 1925
Moriz Schenker has seen his friend Sobotka, who will arrange for the advance
from Drei Masken Verlag to be paid into his account.
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OJ 6/7, [24] Handwritten letter from Schenker to Moriz Violin, dated August 15, 1925
After expressing his sympathy for Violin, in response to his friend's depressing
postcard, Schenker gives an account of some of the summer events, including a visit from
Vrieslander and Hoboken and work on two essays for Meisterwerk 2. While continuing to rail
against Hertzka and Universal Edition, he repeats the story of Drei Masken Verlag failing to
send him 250 Marks upon receipt of the manuscript of Meisterwerk 1. His brother Moses is,
however, acquainted with the principal owner of Drei Masken, Felix Sobotka, and through this
connection the payment has been made.
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OC 54/94 Typed letter from Hirsch to Schenker, dated June 26, 1926
Treuga Bank confirm that the General Director has read through the contract
and letters regarding payment for the first Meisterwerk volume. He will send a report as
soon as he has discussed the matter with the Consul General.
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OJ 10/3, [52] Typewritten postcard from Deutsch to Schenker, dated January 15, 1927
Deutsch asks Schenker if a (recent) edition of Beethoven’s Ninth Symphony was
based on the facsimile edition. He has sent the manuscript (of Schenker’s second Meisterwerk
yearbook) to the publishers. A Haydn facsimile and a Handel print can be discussed
later.
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OJ 10/3, [53] Typewritten postcard from Deutsch to Schenker, dated January 16, 1927
Deutsch asks Schenker what he wrote about Domenico Scarlatti and Chopin as
non-German geniuses, for his forthcoming trip to Sweden. He has learned that Schubert was
paid for two summers’ teaching for the Esterházy family; he has valued two song manuscripts
belonging to the family at 4,000 marks.
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OJ 10/3, [129] Handwritten letter from Deutsch to Schenker, dated June 6, 1930
Deutsch has discussed the printing of the music illustrations for Schenker’s
"Eroica" monograph with the lithographers Elbemühl. He hopes that Georg Tomay will complete
his calligraphic work before Schenker leaves for Galtür.