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Documents comprising this correspondence:

• OC B/205 Handwritten letter from F. A. Schmidt (Beethoven-Haus) to Schenker, dated April 26, 1913

  Schmidt identifies the autograph manuscript material of Beethoven Op. 111 held by the Beethoven-Haus, and the extent to which photography of it has been carried out.

• BNba 304g, [1] Handwritten letter from Schenker to F. A. Schmidt (Beethoven-Haus), dated November 27, 1913

  Schenker asks the Beethoven-Haus to prepare and supply him with photographs of the autograph manuscript of the first movement of Beethoven's Piano Sonata in C minor, Op. 111, and announces the publication of his Erläuterungsausgabe of Op. 109 and monograph on Beethoven's Ninth Symphony.

• OC B/204 Handwritten letter from F. A. Schmidt (Beethoven-Haus) to Schenker, dated December 3, 1913

  Schmidt suggests Schenker commission the Beethoven-Haus photographer, Heinrich Rose, direct in ordering photographs of the autograph manuscript of the first movement of Beethoven's Op. 111. He asks Schenker to supply a copy of his monograph on the Ninth Symphony to the Beethoven-Haus library.

• BNba 318, [1] Handwritten letter from Schenker to Heinrich Rose, dated December 9, 1913

  Schenker places an order for photographs of Beethoven piano sonatas Op. 111, Op. 27, No. 2, and Op. 28.

• BNba 318, [2] Handwritten letter from Schenker to F. A. Schmidt, dated December 9, 1913

  Schenker states that he is writing a letter placing an order for photographs of Beethoven piano sonatas Op. 111, Op. 27, No. 2, and Op. 28, and hoping that Schmidt will extend his permission to cover the latter two manuscripts.

• OC B/203 Handwritten letter from F. A. Schmidt (Beethoven-Haus) to Schenker, dated December 13, 1913

  Schmidt thanks Schenker for the copy of his monograph Beethovens neunte Sinfonie, and raises points of detail about the photography of the three requested works.

• BNba 304g, [5]-[6] Handwritten letter and declaration from Schenker to Ernst Zitelmann, dated February 28, 1914

  Schenker submits a declaration on his usage of photographic materials received.

• BNba 304g, [8] Handwritten letter from Schenker to F. A. Schmidt (Beethoven-Haus), dated June 19, 1914

  Schenker asks if the Beethoven-Haus Archive has a copy of the Cappi & Diabelli early edition of Op. 111.

• OJ 15/7, [1] Handwritten letter from Arthur Waldeck to Schenker, dated August 27, 1929

  Introductory letter from Arthur Waldeck to Schenker.

• OJ 5/44, [1] Handwritten letter from Schenker to Arthur Waldeck, dated September 23, 1929

  Schenker encourages Waldeck to spread his (Schenker's) ideas in America, and apprises him of Dunn's translation of Kontrapunkt and his own recent and forthcoming publications.

• OC 18/34 Typewritten letter from Arthur Waldeck to Schenker, dated September 22, 1932

  Waldeck expresses an interest in translating Schenker' Harmonielehre into English, and asks to send sample passages.

• NYnscl MP.0008.01/1/1, 1 Handwritten postcard from Schenker to Arthur Waldeck, dated October 16, 1932

  Schenker will consider Waldeck's offer next week.

• NYnscl MP.0008.01/1/1, 2 Handwritten letter from Schenker to Arthur Waldeck, dated November 8, 1932

  Schenker stipulates the conditions for granting publication rights for a translation of his Harmonielehre, and asks which other Schenkerians in the U.S. Waldeck is acquainted with.

• OC 18/35 Typewritten letter from Arthur Waldeck to Schenker, dated November 21, 1932

  Waldeck will report back to Schenker and send sample translations.

• OJ 5/44, [3] Handwritten letter from Schenker to Arthur Waldeck, dated December 31, 1932

  Schenker thanks Waldeck for sample translations, which he will forward to Hans Weisse for comment.

• OC 18/36 Typewritten letter from Arthur Waldeck to Schenker, dated June 3, 1934

  After the failure of his initiative to fund a translation of Harmonielehre, Waldeck tells Schenker of his plan to coauthor with Nathan Broder an article introducing Schenker's theory [to English-speaking readers].

• OJ 5/44, [4] Handwritten letter from Schenker to Arthur Waldeck, dated August 9, 1934

  Schenker implies that Der freie Satz is not yet at proof stage, and recommends Jonas's Das Wesen des musikalischen Kunstwerks for the explanations that Waldeck needs.

• NYnscl MP.0008.01/1/1, 4 Handwritten letter from Jeanette Schenker to Arthur Waldeck and Nathan Broder, dated March 9, 1936

  Jeanette has received an article about Schenker written by Waldeck and Broder and thanks the authors for the article and accompanying message. — She informs them that the Wiener Schenker-Institut has successfully started up.