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OJ 6/8, [13] Handwritten letter, with envelope, from Schenker to Violin, dated June 12,
1932
Schenker refers to his “betrayal” by Herman Roth and shares with Vrieslander’s
letter on the subject. He updates Violin on the forthcoming publication of the Fünf
Urlinie-Tafeln, accusing the Mannes School of getting more publicity and profits from the
sale of the work than it deserves.
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OJ 5/38, [80] Handwritten picture postcard from Heinrich to Wilhelm Schenker, dated June 13,
1932
Heinrich gives his elder brother his address for the summer.
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OJ 38/338 Incomplete handwritten letter from Elias to Schenker, undated [c. June 16,
1932]
Miss Elias sends best wishes for the Schenkers' vacation in
Igls.
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OC 54/366 Typewritten letter from Deutsch to Schenker, dated June 22, 1932
Deutsch has received the proofs to the Fünf Urlinie-Tafeln, for which he
reckons two days’ work to insure that there are no mistakes. He advises Schenker to have a
sample copy of the cover made, and suggests numbering the graphs, even assigning roman
numerals to them so that they can be put into the correct folder in case a second set of
graphs is published.
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OeNB Mus.Hs. 36390/1 [3] Handwritten fragmentary letter from Violin to Schenker, late June 1932
Violin will continue to fight for Schenker’s cause, but is not sure he will be
able to do it from Hamburg much longer; he will decide in October. He hopes that the
Schenkers are enjoying their summer holiday in Igls.
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OC 54/360 Typewritten letter from Waldheim to Schenker, dated July 18, 1932
Waldheim-Eberle acknowledge receipt of a proof of the wrapper for the Fünf
Urlinie-Tafeln and will proceed with printing; they list the distribution of
copies.
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OJ 10/3, [174] Handwritten letter from Deutsch to Schenker, dated July 21, 1932
Deutsch advises Schenker on the wording and placement of an advertisement for
a private seminar in music theory, to be inaugurated in the autumn of 1932. He notes that
Tomay’s invoice for the autography of the Fünf Urlinie-Tafeln was considerably lower than
what was originally estimated. He regrets having to decline an invitation to visit Schenker
during the summer.
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FIBA 13/MO1 Handwritten letter from Schenker to Rudolf von Ficker, dated July 27, 1932
Schenker requests a meeting with Ficker in Igls.
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OJ 11/54, [40] Typewritten letter from Hoboken to Schenker, dated July 29, 1932
Hoboken comments on some contemporary music; — he comments adversely on the
new edition by Edouard Ganche of Chopin's works; — he may visit the Schenkers and bring Eva
Boy with him.
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OJ 11/16, [11] Handwritten letter from Furtwängler to Schenker, dated August 2, 1932
Furtwängler thanks Schenker for his letter and for sending Urlinie graphs;
praises Schenker's "fight ... for genius"; he is unable to visit now, but hopes to later;
inquires about Weisse.
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OJ 10/3, [176] Typewritten letter from Deutsch to Schenker, dated August 26, 1932
Deutsch replies to two letters from Schenker; he has returned from an
oppressively hot Salzburg but must now make a business trip to Yugoslavia. He advises
against asking Hoboken to increase the tuition fee, in spite of the threat of inflation. He
is surprised to hear that the new Oxford edition of Chopin is poor, as it was based on good
source material.
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OJ 8/5, [11] Handwritten postcard from Schenker to Violin, dated September 1, 1932
Schenker reports that Der freie Satz is finished, apart from the final draft
of the manuscript.
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OJ 89/5, [5] Typewritten letter (carbon copy) from Hoboken to Schenker, dated September 5,
1932
Hoboken sets out his plans to leave Vienna, pack his furniture and put his
music collection in store, and how he sees the continuation of his lessons with and work
under Schenker.
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OJ 89/5, [6] Handwritten letter from Schenker to Hoboken, dated September 17, 1932
Schenker announces the completion of Der freie Satz, and discusses the timing of
Hoboken's disbursement to cover its printing costs.
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OJ 11/16, [12] Handwritten letter from Furtwängler to Schenker, dated September 22, 1932
Furtwängler was prevented from visiting Schenker in August by having to go
into the Cottage Sanatorium, Vienna. He hopes to see Schenker during the winter, and asks
whether he might like to do the ceremonial address for the Brahms
Centenary.
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OJ 89/7, [5] Handwritten letter from Schenker to Hoboken, dated February 25, 1934
Schenker comments on Eva van Hoboken's visit [of February 18]; — Encloses a
collection of articles, praises Hoboken's opposition to Ganche, and comments sardonically about
Schering, Kretzschmar, and Riemann.