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OJ 10/1, [79] Handwritten letter from Dahms to Schenker, dated November 1, 1923
Dahms has devoted a chapter of his Musik des Südens to "genius" in which he
asserts its absoluteness and the gulf between genius and mediocrity. — He concurs with
Hertzka's judgement of Furtwängler as a "coward"; In his quest for success, the latter has
compromised his belief in genius by pandering to Schoenberg. The Korngolds are coming to
Rome in August.
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OJ 10/1, [80] Handwritten letter from Dahms to Schenker, undated [c. November 18, 1923]
Having sent a subscription copy of Musik des Südens to Moriz Schenker and
received no acknowledgement, Dahms asks Schenker's help.
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OJ 10/1, [81] Handwritten letter from Dahms to Schenker, dated November 20, 1923
Dahms has now received acknowledgement from Moriz Schenker. — He asks
Schenker's help in approaching financier Castiglioni for financial backing for his planned
bel canto book.
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OJ 11/16, [5] Handwritten postcard from Furtwängler to Schenker, dated November 25, 1923
Furtwängler had been hoping to speak with Schenker at the performance of
[Handel's] Samson but realizes this is not possible; mentions his December program, hopes to see
Schenker.
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OJ 11/36, [10] Handwritten letter from Hammer to Schenker dated November 25, 1923
Hammer thanks Schenker for hospitality on November 7, and recommends Eugen
Steinhof for lessons.
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OJ 12/59, [4] Handwritten letter from Siegfried Fritz Müller to Schenker, dated November 13,
1923
Siegfried Fritz Müller has a teaching job and reports how it is going. -- He
is studying Schenker's writings. -- He gives an unfavorable reaction to Walter Dahm's book
[Die Offenbarung der Musik: Eine Apotheose Friedrich Nietzsches]. -- He reports Carl
Bamberger's trip to Finland.