-
FS 40/1, [19] Handwritten letter from Schenker to Salzer, undated [December 31, 1933]
Schenker sends New Year's greetings, recommends a Bartók recording, and looks
forward to listening to a Toscanini recording.
-
OJ 12/6, [25] Handwritten letter from Jonas to Schenker, dated December 3, 1933
The majority of Jonas's Das Wesen des musikalischen Kunstwerks has gone to the
printer; — Furtwängler has promised to recommend it to the Berlin Hochschule für Musik; — no
word from van Hoboken. Jonas inquires after Free Composition.
-
OJ 12/6, [26] Handwritten letter from Jonas to Schenker, dated December 10, 1933
Jonas asks how the music examples in Das Meisterwerk were printed, with
respect to his Das Wesen des musikalischen Kunstwerks. — In Riemann's Musiklexikon, ed. A.
Einstein, Einstein's reference to Schenker appears under "Bach."
-
OJ 12/6, [27] Typewritten letter from Jonas to Schenker, dated December 18, 1933
Jonas acknowledges OJ 5/18, 32; requests copy of Schenker's Syrische Tänze;
quotes from Schenker's entry in a Jewish lexicon. — He reports on local conditions; has
heard nothing from van Hoboken.
-
OJ 15/22, [6] Handwritten letter from Willfort to Schenker, dated December 9, 1933
Willfort encloses article by Citkowitz.
-
OJ 5/18, 31 Handwritten letter from Schenker to Jonas, dated December 8, 1933
Schenker congratulates Jonas on handing over his volume to the printer; — he
gives van Hoboken's current address; — he has eye trouble; — comments on Furtwängler, and on
economic difficulties for music teachers in Vienna.
-
OJ 5/18, 32 Handwritten letter from Schenker to Jonas, dated December 13, 1933
The music examples in Das Meisterwerk were engraved; Schenker draws attention
to and commends an article [by Israel Citkowitz].
-
OJ 5/18, 33 Handwritten letter from Schenker to Jonas, dated December 21, 1933
Schenker sends article [by Citkowitz]. — In response to Jonas's quoting from a
Jewish lexikon, he refers to the sermons by Cardinal Faulhaber, and writes of his pride in
being Jewish but in having assimilated thoroughly enough to establish favorable relations
with the Catholic church, antisemites, and the news media. — Implying a parallel between
himself and Jesus, he offers his "monotheistic theory of music" as "a new message to the
world from the Jews." — He has no copy of his Syrische Tänze; — writes of the work's
history.
-
OJ 6/8, [28] Handwritten letter from Schenker to Violin, dated December 1, 1933
Schenker is lending Violin a copy of something amusing [a composition by Josef
Knettel] sent to him by Reinhard Oppel. He notes that Hans Wolf wants to leave Vienna early
for the holidays, but Schenker will insist on being paid in full for the lessons scheduled
in December.
-
OJ 6/8, [29] Handwritten letter from Schenker to Violin, dated December 11, 1933
Schenker asks Violin to seek his sister Fanny’s help in finding someone who
can produce typed copies of an article about him published in America [Israel Citkowitz,
“The Role of Heinrich Schenker”].
-
OJ 89/6, [11] Handwritten letter from Schenker to Hoboken, dated December 25, 1933
Schenker speaks of recent articles by O. E. Deutsch and I. Citkowitz, and
reports on former pupils Hupka and Breisach.