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OC 52/9 Typewritten letter from Robitschek and Winter (UE) to Schenker, dated July 23,
1903
UE offers Schenker the arrangement of Handel organ concertos.
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OC 52/10 Typewritten letter from Robitschek and Winter (UE) to Schenker, dated July 28,
1903
Contract for Handel Organ Concertos received; distribution of complimentary
copies of Beitrag zur Ornamentik.
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OC 52/392 Handwritten note by Schenker, dated June 20, 1904
Schenker notes down contents of OC 52/391.
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OC 52/393 Typewritten letter from Robitschek and Weinberger (UE) to Schenker, dated June 22,
1904
UE confirms transfer of revised honorarium for Handel Organ Concertos, vol.
I.
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OC 52/394 Typewritten letter from Ferdinand Rebay (UE) to Schenker, dated October 18,
1904
UE sends proofs of Handel Organ Concertos, vol. I.
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OC 52/16 Typewritten letter from Weinberger (UE) to Schenker, dated March 1, 1905
UE sends five complimentary copies of Handel Organ Concertos and transfers
honorarium.
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OC 52/17 Typewritten letter from Weinberger (UE) to Schenker, dated March 11, 1905
List of recipients of complimentary copies of the Handel Organ
Concertos
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BNba Frimmel Nachl, [1] Handwritten letter from Schenker to Frimmel, dated March 13, 1905
Schenker sends a copy of his Handel Organ Concertos as a memento of past
music-making with Frimmel, and tells him of his work on his Harmonielehre.
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OJ 11/10, [7] Handwritten postcard from Frimmel to Schenker, dated March 14, 1905
The promised Handel Organ Concertos volume has not yet arrived. — Frimmel asks
for the score of the C. P. E. Bach concerto that Schenker played the previous fall. Tickets for
his Beethoven lectures will be sent soon.
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BNba Frimmel Nachl, [2] Handwritten letter from Schenker to Frimmel, dated March 18, 1905
Schenker explains the delay in sending Frimmel the C. P. E. Bach concerto,
thanks Frimmel for the ticket to his lectures, and gives Violin's address.
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OJ 11/10, [8] Handwritten postcard from Frimmel to Schenker, postmarked March 18, 1905
Frimmel acknowledges receipt of Schenker' Handel Organ Concertos volume and
says the latter's C. P. E. Bach keyboard words edition will feature in his forthcoming
lecture series.
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OJ 11/10, [10] Handwritten letter from Frimmel to Schenker, dated March 21, 1905
Frimmel has had to postpone his lecture series on Beethoven until the Fall. —
He invites Schenker to afternoon tea at a date to be settled.
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OC 52/18 Typewritten letter from UE to Schenker, dated November 20, 1905
UE is besieged with inquiries about Handel Organ Works, volume
II.
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OC 52/19 Typewritten letter from Weinberger (UE) to Schenker, dated November 30,
1905
Weinberger asks when Handel Organ Concertos volume II will be
received.
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OC 52/21 Handwritten calling card from Rebay (UE) to Schenker, undated [c. June 12,
1906]
Rebay inquires when UE can expect Handel Organ Concertos, vol.
II.
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OC 52/20 Typewritten letter from UE to Schenker, dated June 13, 1906
UE inquires further about Handel Organ Works, volume II, with
threat.
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OC 52/395 Typewritten letter from UE to Schenker, dated July 5, 1906
UE asks again for manuscript of Handel Organ Concertos, vol. II, and threatens
to reassign.
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OC 52/396 Typewritten letter from UE to Schenker, dated September 28, 1906
UE asks for the score of the Handel organ concertos back; Schenker's name will
not appear on the published arrangements.
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OJ 5/35, [1] Handwritten draft letter from Schenker to Ernst Rudorff, dated January 21,
1908
Schenker makes a first approach to Rudorff; it concerns interpretation of a
passage in Chopin's Ballade No. 2, Op. 38; — He asserts his belief in consulting -- and
teaching students to consult -- only original sources, and in the Urtext
principle.
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OJ 5/6, [2] Draft of handwritten letter from Schenker to Cotta, undated [October 12?,
1908]
Schenker accepts Cotta's verdict against splitting Kontrapunkt into
two.
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CA 87 Handwritten letter from Schenker to Cotta, dated October 13, 1908
Schenker accepts Cotta's verdict against splitting Kontrapunkt into
two.
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OC 52/34 Typewritten postcard (book slip) from UE (unidentified sign) to Schenker, dated
January 14, 1909
UE confirms sending two items to Elise Rudorff.
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WSLB 44 Handwritten letter from Schenker to Hertzka (UE), dated October 18, 1909
Schenker tells Hertzka of the Academy's plans to present a "historical"
concert of works edited by himself.
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OC 52/40 Typewritten letter from Hertzka (UE) to Schenker, dated October 20, 1909
UE will search for the Handel organ concerto score.
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OC 52/390 Handwritten note by Schenker, undated [probably 1909]
Schenker records the refusal of his request for increased honorarium for vol.
II of Handel Organ Concertos, maintaining that his work comstituted more that mere
"arrangements."
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WSLB 53 Handwritten letter from Schenker to Hertzka (UE), dated February 15, 1910
Schenker advocates Moriz Violin's pamphlet "Über das sogenannte 'Continuo'"
for publication and explains its connection with a planned "historical
concert."
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OC 52/46 Typewritten letter from Hertzka (UE) to Schenker, dated March 11, 1910
Hertzka asks Schenker to return a score to the UE Archive.
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WSLB 111 Handwritten letter from Schenker to Hertzka (UE), dated May 16, 1912
Schenker points to inconsistent usage of "Sinfonie" and "Symphonie" in the
type-setting of his monograph Beethovens neunte Sinfonie and suggests adherence to the
former; he submits the Foreword, and asks for one copy of each of his previous UE
publications.
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WSLB 292 Handwritten letter from Schenker to Hertzka (UE), dated January 30, 1918
Schenker complains that Halm's request to receive review copies of others of his
works has been ignored by UE, threatens to pay for them himself, and asks to be notified when
they are dispatched.