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JOB 94-3, [8] Handwritten letter from Schenker to Hammer dated May 3, 1924
Schenker agrees to come on May 27 to sit for his portrait, and tells Hammer of
the forthcoming historical Beethoven Ninth Symphony concert.
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OC 12/15-17 Handwritten letter from Halm to Schenker dated April 7, April 14, and May 6,
1924]
Halm again asks Schenker to point out an instance of non-genius in his [Halm's]
music. — Has long believed that foreground (= corporeality) has been neglected at the expense of
background (= spirituality) in music. — Defends Kurth against Schenker's critical remarks. —
Suggests an explanation for the Bruckner classroom incident. — Will send parts of his [A major]
String Quartet and promises a copy of his "Von Grenzen und Ländern". — Accepts offer of
assistance with publication costs. — Comments on Reger.
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OJ 10/3, [40] Typewritten letter from Deutsch to Schenker, dated May 9, 1924
Deutsch thanks Schenker for the most recent (sixth) issue of Tonwille. He read Schenker's comments
on Schubert's "Gretchen am Spinnrade" (Op. 2) with great interest, although he did not fully understand them.
Deutsch encloses an announcement from the publisher Vieweg that may be of interest to Schenker.
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OJ 11/36, [12] Handwritten letter from Hammer to Schenker, dated May 1, 1924
Hammer invites Schenker to a first sitting for his portrait.
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OJ 11/36, [13] Handwritten postcard from Hammer to Schenker, postmarked May 21, 1924
Hammer reschedules the next sitting for the portrait.
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OJ 12/11, [7] Handwritten calling card from Klenau to Schenker, dated May 13, 1924
Klenau asks to make a brief visit.
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OJ 12/11, [8] Handwritten letter from Klenau to Schenker, undated [May 20, 1924]
Klenau asks Schenker to read over an article that he has
written.
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UMdK Z 312 D/1924, [1] Typewritten letter from the Verein zur Speisung to the Akademie für Musik, dated May
21, 1924
The letter quotes the will of Mrs Sofie Deutsch, then announces that the
Verein is in process of dissolution, and decrees that the capital in question be devolved
upon the Akademie für Musik und darstellende Kunst, and refers the Akademie to its
attorney.