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OJ 10/3, [77] Handwritten letter from Hanna and Otto Erich Deutsch to Schenker, dated March 1,
1928
The Deutsches accept the Schenkers’ invitation for the afternoon of Wednesday,
March 7.
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OJ 10/3, [78] Handwritten letter from Hanna Deutsch to Schenker, dated March 2, 1928
Hanna asks Schenker to accept her apologies for not being able to visit them
on March 7, as Otto Erich has been invited to tea with the President of the
Republic..
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OJ 10/3, [79] Handwritten letter from Hanna Deutsch to Schenker, dated March 4, 1928
The Deutsches will visit the Schenkers on Wednesday, March 14. Hanna reports
that Hoboken has been unwell.
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OJ 10/3, [80] Typewritten postcard from Deutsch to Schenker, dated March 19, 1928
Deutsch reports that Eusebius Mandyczewski, the Archivist at the Gesellschaft
der Musikfreunde, would like to prepare a revised edition of Schubert’s “Unfinished”
Symphony, and asks Schenker if he would be prepared to make his textual notes on the
symphony available to him.
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OJ 10/3, [81] Typewritten postcard from Deutsch to Schenker, dated March 25, 1928
Deutsch’s plans to give a pre-concert talk on the radio have been messed up by
Max Ast at Austrian Radio. -- He asks Schenker to tell him about the authentic copies of
Beethoven’s works made for Archduke Rudolph. -- He has been on the track of a German mass
for the dead by Schubert (the Deutsche Trauermesse) and would like to show Schenker his work
on it.
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OJ 10/3, [82] Typewritten postcard from Deutsch to Schenker, dated March 26, 1928
Deutsch writes about the sketches for a symphony in E major by Schubert, in
the possession of the Royal College of Music in London. He would like to have a copy made so
that the work can be published – possibly by Oxford University Press. The costs should be
borne by the publisher, not the Photogram Archive, which would nonetheless get a copy of the
reproduction.
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OJ 11/32, [3] Typed letter from Robert Haas to Schenker, dated March 1, 1928
The Photogrammarchiv has a source that Schenker is at liberty to
consult.
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OJ 11/54, [22] Handwritten letter from Hoboken to Schenker, dated March 11, 1928
Hoboken recounts the difficulties he is having in getting 2,500 photographs of
autograph manuscripts made at the Paris Conservatory.
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OJ 11/54, [23] Handwritten letter from Hoboken to Schenker, dated March 21, 1928
Hoboken has still made no progress on photographic work at the Paris
Conservatory. — He will go to Rotterdam and Münster. — Speaks of the importance of his Archive
work and contacts he has made. Will probably go to a concert featuring music of Alban Berg. — He
asks Schenker to intervene with O. E. Deutsch.
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OJ 12/6, [3] Handwritten letter from Jonas to Schenker, dated March 3, 1928
Discusses the proposal to create a "journal," raised in previous correspondence,
and airs Schenker's misgivings. Plans to send an invitation to 2,000 people.
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OJ 89/2, [2] Carbon copy of typed letter from attorney Hundt to counsellor Dr. Seidenberger, dated
March 12, 1928
Concerns guardianship of a Fräulein Müschenborn.
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OJ 89/2, [3] Typed letter from Counsellor of Justice Seidenberger to Hoboken, dated March 13, 1928
Concerns guardianship of a Fräulein Müschenborn.
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OJ 89/2, [4] Handwritten letter from Schenker to Hoboken, dated March 16, 1928
Schenker speaks of Hoboken's Photogrammarchiv as a "grand contribution," and of
the work to be done there; reports on a copy of Beethoven Sonata, Op. 90, by Archduke Rudolph. —
He will show Hoboken recent articles by Dahms and Vrieslander, and inquires about Hoboken's
birthday.— Furtwängler may come to Vienna permanently.
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OJ 89/2, [5] Handwritten letter from Schenker to Hoboken, dated March 26, 1928
Schenker conveys Deutsch's response to van Hoboken's questioning of a planned
facsimile of Schubert sketches. — Schenker discusses strategy for persuading Paris to supply
photographs for the Photogrammarchiv.