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FIBA 13/MO1 Handwritten letter from Schenker to Rudolf von Ficker, dated July 27, 1932
Schenker requests a meeting with Ficker in Igls.
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FS 40/1, [10] Handwritten postcard from Schenker to Salzer, dated July 16, 1932
Salzer will receive four copies of Fünf Urlinie-Tafeln, and is asked to
distribute them.
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OC 54/354 Typewritten letter from Deutsch to Schenker, dated July 9, 1932
Deutsch has received the contract from Universal Edition for the Fünf
Urlinie-Tafeln, of which he asks Schenker to make two copies (incorporating his corrections)
and send them off. -- He also asks him to look over the commentary to recent concert
programs of new music.
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OC 54/355 Postal receipt for consignment from Schenker to Waldheim, postmarked July 11,
1932
Schenker sends European and American proofs to
Waldheim-Eberle.
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OC 54/356 Typewritten letter from Waldheim to Schenker, dated July 12, 1932
Waldheim-Eberle are sending Schenker a second proof of the Foreword of his
Fünf Urlinie-Tafeln and a print of the title-page for the European market, and submitting to
Universal Edition a print of the latter. They enclose a print pull of the grapahs and
request guidance on the page numbering.
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OC 54/357-358 Typewritten letter and invoice from Waldheim to Schenker, dated July 14,
1932
Waldheim-Eberle submits its pre-invoice for 1,000 copies of Schenker's Fünf
Urlinie-Tafeln.
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OC 54/359 Postal receipt for consignment from Schenker to Waldheim, postmarked [July 16],
1932
Schenker gives his imprimatur to the whole item, and instructions for
distribution.
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OC 54/360 Typewritten letter from Waldheim to Schenker, dated July 18, 1932
Waldheim-Eberle acknowledge receipt of a proof of the wrapper for the Fünf
Urlinie-Tafeln and will proceed with printing; they list the distribution of
copies.
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OC 54/361 Typewritten Invoice from Waldheim to Schenker, dated July 25, 1932
Waldheim-Eberle submits its final invoice for the Fünf
Urlinie-Tafeln.
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OC 54/369 Typewritten postcard from Deutsch to Schenker, dated July 2, 1932
Deutsch will meet with Alfred Kalmus on July 5. Hoboken has said goodbye to
him, to his architect [Schmid], and to Ernst Fritz Schmid.
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OC 54/370 Typewritten letter from Deutsch to Schenker, dated July 5, 1932
Deutsch has taken upon himself all the business arrangements with Universal
Edition for the publication of the Fünf Urlinie-Tafeln. He finds the pagination inconsistent
and confusing, and makes recommendations about it. He says that things seem to have eased at
U. E. since Alfred Kalmus took over the directorship from Hertzka. His own short book on
Mozart’s Masonic music will be published.
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OC 54/371 Typewritten picture postcard from Deutsch to Schenker, dated July 8, 1932
Deutsch has spotted a printing error in the Foreword to the Fünf
Urlinie-Tafeln. -- He advises Schenker to look at a new edition of Chopin’s music, based on
the composer’s handwritten revisions, published by Oxford University Press.
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OJ 10/3, [173] Typewritten letter from Deutsch to Schenker, dated July 12, 1932
Deutsch portrays Hoboken’s current situation and state of mind. Hoboken has
made an amicable settlement with his first wife and will probably move to Munich with his
bride; his [disposable] income has been substantially reduced. He will give up the second
floor of his villa in Vienna but keep his library, on which he works occasionally but
without true dedication.
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OJ 10/3, [174] Handwritten letter from Deutsch to Schenker, dated July 21, 1932
Deutsch advises Schenker on the wording and placement of an advertisement for
a private seminar in music theory, to be inaugurated in the autumn of 1932. He notes that
Tomay’s invoice for the autography of the Fünf Urlinie-Tafeln was considerably lower than
what was originally estimated. He regrets having to decline an invitation to visit Schenker
during the summer.
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OJ 11/32, [10] Typed letter from Robert Haas to Schenker, dated July 22, 1932
Haas sends summer greetings and urges holding a Board of Trustees' meeting in
September.
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OJ 11/54, [40] Typewritten letter from Hoboken to Schenker, dated July 29, 1932
Hoboken comments on some contemporary music; — he comments adversely on the
new edition by Edouard Ganche of Chopin's works; — he may visit the Schenkers and bring Eva
Boy with him.
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OJ 12/6, [13] Handwritten letter from Jonas to Schenker, dated July 14, 1932
Jonas reports on his visit to Berlin, where he failed to meet with Furtwängler; —
discusses Brahms-Handel Saul and Beethoven Op. 109. — He has heard about the Fünf Urlinie-Tafeln
from Hoboken and Salzer; — discusses plans for publishing his Das Wesen des musikalischen
Kunstwerkes. — Has received books from Alfred Einstein.
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OJ 5/18, 11 Handwritten letter from Schenker to Jonas, dated July 18, 1932
Schenker tries to account for Furtwängler's unavailability for a conference over
the Handel Saul score. — He does not need the copy of [Beethoven] Op. 109 offered by Mr. Kromer.
— An introduction to his theory would be "in order," but its marketing might be problematic and
require a benefactor; he regrets that Anthony van Hoboken is not such a person.
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OJ 5/38, [81] Handwritten picture postcard from Heinrich to Wilhelm Schenker, dated July 31,
1932
Heinrich reports that his health has greatly improved.
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OJ 5/7a, [43] (formerly vC 43) Handwritten postcard from Schenker to Cube, dated July 6, 1932
Schenker acknowledges OJ 11/54, [33], and reports publication of songs and
Ländler by Vrieslander.
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OJ 89/5, [3] Handwritten letter from Schenker to Hoboken, dated July 31, 1932
Schenker welcomes a visit from Hoboken and Miss Boy, and encloses a clipping of
an article.
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OJ 9/34, [33] Handwritten letter from Cube to Schenker, dated July 2, 1932
Cube outlines, with music examples and graphs, a theory of tonal system and modal
mixture based on "the series of 5ths," "the closed-up circle of 5ths," and "differentiation of
the resultant intervals in a diatonic projection" as a scale. He asks for Schenker's
reaction.