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OC 52/860 Typewritten letter from Hertzka (UE) to Schenker, dated January 16, 1930
Hertzka sees no prospect of publishing the "Eroica" study as a
monograph.
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OJ 52/902 Receipt for bank transaction from the Post Office Savings Bank to Schenker, dated
January 2, 1930
Receipt for sum of 1,250 shillings [from UE].
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OJ 52/903 Receipt for bank transaction from the Post Office Savings Bank to Schenker, dated
January 22, 1930
Receipt for sum of 78 shillings 25 groschen [from UE].
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OJ 10/3, [114] Typewritten letter from Deutsch to Schenker, dated January 21, 1930
Deutsch explains that, without a fixed annual budget, the Board of Trustees
[of the Photogram Archive] is unable to function properly. Hoboken didn’t always deal
efficiently with the foreign contributors to the collection; a catalogue has still not been
prepared. And Deutsch has made himself ill by overwork. Hedwig Kraus has taken over the
directorship of the Archive of the Gesellschaft der Musikfreunde, with [Karl] Geiringer as
her assistant – to whom Deutsch would have greatly preferred Luithlen. He has been
exchanging letters with Vrieslander.
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OJ 10/3, [115] Typewritten picture postcard from Deutsch to Schenker, dated January 27,
1930
Deutsch clarifies one or two misunderstandings in Schenker’s previous
postcard: Vrieslander has been contracted by the publisher Strache to bring out some
unpublished sonatas by C. P. E. Bach.
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OJ 11/54, [27] Typewritten letter from Hoboken to Schenker, dated January 30, 1930
Hoboken is unwell and cannot go out.
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OJ 12/50, [5] Handwritten letter from Bernhard Martin to Schenker, undated [January 1 or 2,
1930]
In thanking Schenker for all that he has learned from him, Bernhard Martin
sends New Year's greetings to Heinrich and Jeanette. He looks forward to the "Eroica
monograph."
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OJ 13/25, [8] Typewritten letter from Rinn to Schenker, dated January 2, 1930
Rinn has sent Schenker copies of Der Kunstwart and will be in touch with him
about his next contribution, the extracts from the Masterwork yearbooks.
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OJ 14/45, [83] Handwritten letter from Violin to Schenker, dated January 24, 1930
Violin has learned that the proprietor of Rather-Verlag is unwell, and that
there would be no chance of Schenker's having his "Eroica" Symphony monograph published
there. He also reports on declining cultural and human values, of which the recent success
of jazz-based works, staged in German opera houses, is emblematic. He is going to Berlin to
investigate possible employment there.
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OJ 5/32, [1] Postal receipt from Schenker to Rinn, dated January 23, 1930
Schenker sends the Hammer portrait to Rinn.
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OJ 5/7a, [28] (formerly vC 28) Handwritten letter from Schenker to Cube, dated January 12, 1930
Acknowledges OJ 9/34, [20], and gives detailed critique of Cube's analysis of
the C major Prelude from WTC I, including graphs; advises on additional reading and Cube's
plans to publish the analysis.
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OJ 9/34, [20] Handwritten letter from Cube to Schenker, January 2, 1930
Offers New Year greetings; reports on his current mood, on the Conservatory, his private
teaching, and publication plans. Describes Urlinie of C major Prelude from WTC I. Reports on
compositional activity and reading.
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WSLB 420 Handwritten postcard from Schenker to Hugo Winter (UE), dated January 17,
1930
Schenker reminds Winter to send him his [half-yearly]
statement.