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Documents comprising this correspondence:

• OJ 11/10, [1] Handwritten picture postcard from Frimmel to Schenker, postmarked September 24, 1902

  Frimmel makes an in-joke.

• OJ 11/10, [2] Handwritten picture postcard from Frimmel to Schenker, postmarked October 19, 1902

  Frimmel sends greetings.

• OJ 11/10, [3] Handwritten lettercard from Frimmel to Schenker, dated November 29, 1902

  Frimmel issues an invitation to tea.

• OJ 11/10, [3a] Handwritten picture postcard from Frimmel to Schenker, postmarked [January?] 18, 1903?

  Frimmel thanks Schenker for his postcard.

• OJ 11/10, [4] Handwritten postcard from Frimmel to Schenker, dated February 1, 1903

  Frimmel expresses pleasure at Schenker's new edition.

• OJ 11/10, [5] Handwritten letter from Frimmel to Schenker, dated August 8, 1903

  Commenting on Schenker's edition of C. P. E. Bach keyboard works and Beitrag zur Ornamentik, Frimmel largely agrees with Schenker's remarks on ornaments.

• OJ 11/10, [6] Handwritten postcard from Frimmel to Schenker, postmarked November 10, 1904

  Frimmel sends congratulations for Schenker's (and Violin's) great success.

• BNba Frimmel Nachl, [1] Handwritten letter from Schenker to Frimmel, dated March 13, 1905

  Schenker sends a copy of his Handel Organ Concertos as a memento of past music-making with Frimmel, and tells him of his work on his Harmonielehre.

• OJ 11/10, [7] Handwritten postcard from Frimmel to Schenker, dated March 14, 1905

  The promised Handel Organ Concertos volume has not yet arrived. — Frimmel asks for the score of the C. P. E. Bach concerto that Schenker played the previous fall. Tickets for his Beethoven lectures will be sent soon.

• OJ 11/10, [7a] Handwritten calling card from Frimmel to Schenker, undated [March 17 or 18, 1905]

  Frimmel encloses ticket for his Beethoven lectures.

• BNba Frimmel Nachl, [2] Handwritten letter from Schenker to Frimmel, dated March 18, 1905

  Schenker explains the delay in sending Frimmel the C. P. E. Bach concerto, thanks Frimmel for the ticket to his lectures, and gives Violin's address.

• OJ 11/10, [8] Handwritten postcard from Frimmel to Schenker, postmarked March 18, 1905

  Frimmel acknowledges receipt of Schenker' Handel Organ Concertos volume and says the latter's C. P. E. Bach keyboard words edition will feature in his forthcoming lecture series.

• OJ 11/10, [9] Handwritten postcard from Frimmel to Schenker, postmarked March 20, 1905

  Frimmel acknowledges loan [of C. P. E. Bach Klavierwerke]. He offers a discount for his Beethoven lecture course to Schenker's pupils.

• OJ 11/10, [10] Handwritten letter from Frimmel to Schenker, dated March 21, 1905

  Frimmel has had to postpone his lecture series on Beethoven until the Fall. — He invites Schenker to afternoon tea at a date to be settled.

• OJ 11/10, [11] Handwritten letter from Frimmel to Schenker, dated August 10, 1907

  Frimmel invites Schenker to contribute to the Beethoven-Jahrbuch, and suggests topics. — He hopes to meet up with him in Steinach.

• OJ 11/10, [12] Handwritten picture postcard from Frimmel to Schenker, dated February 20, 1908

  Frimmel thanks Schenker for his complimentary copy of the latter's Harmonielehre.

• OJ 11/10, [13] Handwritten postcard from Frimmel to Schenker, dated April 25, 1908

  Frimmel draws Schenker's attention to an article in the Musikalisches Wochenblatt.

• OJ 11/10, [14] Handwritten picture postcard from Frimmel to Schenker, undated [1908]

  Frimmel informs Schenker that a contribution from him [to the Beethoven Jahrbuch] is now too late for inclusion in vol. II.

• BNba Frimmel Nachl, [3] Handwritten letter from Schenker to Frimmel, dated April 8, 1909

  Schenker thanks Frimmel for his copy of Beethoven-Jahrbuch vol. II, and expresses admiration at Frimmel's editing of the authors' contributions, remarking how slowly he is proceeding with his own Kontrapunkt. He comments on two of the contributions.

• BNba Frimmel Nachl, [4] Handwritten letter from Schenker to Frimmel, dated June 13, 1912

  Schenker asks for guidance on the location of autograph manuscripts of Beethoven's last five piano sonatas, in particular that of Op. 109.

• OJ 11/10, [15] Handwritten letter from Frimmel to Schenker, dated June 17, 1912

  In response to Schenker's inquiry as to the locations of autograph manuscripts of Beethoven's last five piano sonatas, Frimmel refers Schenker to the Berlin Academy's Urtext edition and to Nottebohm's writings.

• BNba Frimmel Nachl, [5] Handwritten letter from Schenker to Frimmel, dated August 4, 1912

  Schenker reports that he has heard from Mandyczewski that the autograph of Beethoven's piano sonata Op. 109 is owned by Poldy Wittgenstein. He will need to go to Berlin for the remaining manuscripts.

• OC 24/20 Handwritten letter from Frimmel to Schenker, dated August 1, 1921

  Frimmel acknowledges receipt of a complimentary copy of Tonwille 1, comments neutrally on Schenker's incursions into politics, imagines something rather different by the concept of "Tonwille," and while agreeing with the criticism of Riemann thinks it could have been done more gently. — He asks for review copies of Schenker's editions of Beethoven Op. 110 and 101.

• OJ 11/10, [16] Handwritten letter from Frimmel to Schenker, dated September 26, 1921

  Frimmel thanks Schenker for delivery of the latter's elucidatory editions of Beethoven's piano sonatas Opp. 101 and 111, and expresses admiration.

• OC 12/1 Handwritten letter from Theodor Frimmel to Deutsch, dated February 22, 1922 (forwarded from Deutsch to Schenker with marginal note dated Feburary 27, 1922)

  Deutsch forwards Schenker a letter from Theodor Frimmel regarding errors in Rolland's Beethoven biography. In the original letter, Frimmel asks Deutsch to send his regards to the Schenkers.

• OJ 11/10, [17] Handwritten postcard from Frimmel to Schenker, dated July 6, 1923

  Frimmel makes a word-play on a feuilleton of the same date by Korngold relating to Sigenfeld.

• OJ 11/10, [18] Handwritten postcard from Frimmel to Schenker, dated September 10, 1925

  Frimmel will correct [errors pointed out by Schenker], and reports that his Beethovenhandbuch is in press.

• OJ 11/10, [19] Handwritten picture postcard from Frimmel to Schenker, dated November 11, 1927

  Frimmel thanks Schenker for having had Meisterwerk II sent to him.

• WSLB-Hds 191.519 Handwritten letter from Frimmel to Schenker, dated beginning of December 1929 [recte 1928]

  Frimmel thanks Schenker for his good wishes. He is unable to visit Schenker to give him certain information and regarding a supposed Beethoven portrait.