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OC 54/67 Double postal receipt for packages from Schenker to Drei Masken Verlag, dated March
1, 1926
Postal receipt for page-proof corrections for the first Meisterwerk
Yearbook.
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OC 54/68 Typed letter from Alfred Böhme (DMV) to Schenker, dated March 4, 1926
Drei Masken Verlag reprimands Schenker for introducing so many changes to the
music examples, and ask him to consider whether he wishes to bear the additional cost of
reingraving the music example plates.
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OC 54/69 Typed letter from Alfred Böhme (DMV) to Schenker, dated March 10, 1926
Drei Masken Verlag report a short delay in the production of the first
Meisterwerk Yearbook.
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OC 54/70 Typed letter from Alfred Böhme (DMV) to Schenker, dated March 15, 1926
Drei Masken Verlag agree to print a list of corrections at the end of Meisterwerk
1, and announce that they have now completed the revision of the volume.
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OC 54/71 Postal Receipt for a package from Schenker to Drei Masken Verlag, dated March 24,
1926
Postal receipt for gatherings 1–8 for Meisterwerk 1.
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OC 54/72 Postal Receipt for a package from Schenker to Drei Masken Verlag, dated March 26,
1926
Postal receipt for gatherings 9–12 for Meisterwerk 1.
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OC 54/73 Postal Receipt for a package from Schenker to Drei Masken Verlag, dated March 27,
1926
Postal receipt for the final set of gatherings and list of corrections for
Meisterwerk 1.
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OJ 10/3, [49] Handwritten letter from Hanna Deutsch to Schenker, dated March 20, 1926
Hanna Deutsch invites the Schenkers to afternoon tea on March 28, 1926.
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OJ 10/3, [50] Typewritten letter from Deutsch to Schenker, dated March 26, 1926
Deutsch requests that the Schenkers' planned visit for afternoon tea be postponed because their
children and nanny have contracted flu.
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OJ 14/45, [111] Handwritten postcard from Moriz Violin to Schenker, dated March 13, 1926
Violin thanks Schenker for Hammer's excellent portrait of him, which has
finally arrived.
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OJ 14/45, [52] Handwritten letter from Moriz Violin to Schenker, dated March 6, 1926
Responding to Schenker's continuing queries, Violin gives some details of
recent illnesses, the cure for which his doctor has ordered him to spend part of the summer
in Bad Gastein. He is awaiting the arrival of the Hammer portrait, and is considering the
future of his piano trio ensemble.
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OJ 6/7, [28] Handwritten letter from Schenker to Moriz Violin, dated March 1, 1926
In a wide-ranging letter responding to Moriz Violin's previous letter,
Schenker asks his friend to confide in him his personal troubles. He offers his support in
the wake of the recent display of vanity of the cellist Friedrich Buxbaum. He is trying to
find a way of getting the Hammer portrait to him safely, possibly by having it sent directly
from Artaria's art shop. Finally he confirms the lack of musical giftedness of his new pupil
Agnes Becker, recently arrived from Hamburg where Violin had been teaching
her.