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DLA 69.930/8 Handwritten letter from Schenker to Halm, dated October 27, 1919
Schenker writes of the deteriorating intellectual conditions in Germany and
Austria with respect to other nations, and of the devastating political and psychological
consequences. Schenker praises Halm's Klavierübung for its sensitivity to voice leading, and
speaks of it as an antidote to the decline of musical literacy. He hopes to talk with Halm about
these matters when he moves to Germany.
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OC 1 B/41-45 Handwritten draft letter from Schenker to Eberhard von Waechter, dated October 17,
1919
Schenker addresses the misunderstanding that has arisen, explaining his
willingness to contribute articles to Der Merker once his current projects are in print.
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OJ 10/1, [46] Handwritten postcard from Dahms to Schenker, dated October 17, 1919
Dahms reports on the present whereabouts of the autograph manuscript of Beethoven
Op. 101.
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OJ 15/18, [2] Credit slip from Wiener Bank-Verein, dated October 10, 1919
Credits Schenker with 346.92 Marks and converts them to 1,121.40
Kronen.
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OJ 15/18, [3] Account from Wiener Bank-Verein, dated October 10, 1919
Statement of account, balance 1,121.40 Kronen.
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OJ 15/5, [4] Handwritten letter from Eberhard von Waechter to Schenker, dated October 1,
1919
Waechter asks for an article on performance for Der Merker, remarking that
analysis takes the performer only so far, after which the latter's feelings must take over. He
praises Schenker's prowess in analysis, and asks again if he may send the manuscript of his
latest book for Schenker's appraisal.
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OJ 15/5, [5] Handwritten note from Eberhard von Waechter to Schenker, dated October 11,
1919
Waechter regrets Schenker's refusal to agree to write articles for Der Merker,
and expresses doubts about his "prophetic zeal."
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OJ 15/5, [6] Handwritten letter from Eberhard von Waechter to Schenker, dated October 19,
1919
Waechter understands Schenker's wish not to pre-publish his Art of Performance in
article form, and hopes that Schenker will provide a universal solution to the performance
problem; explains the editorial control of Der Merker, encouraging Weisse to submit his two
articles to it; expresses pleasure that he has procured from Halm reviews of Schenker's
Harmonielehre and Kontrapunkt 1; is unable to send his Musikkritik der Gegenwart at present.
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OJ 8/3, [71] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated October 19,
1919
Banns of marriage have been posted; looking forward to visiting.