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OC 52/833 Postal receipt for item from Schenker to UE, dated April 25, 1927
Postal receipt for corrections to "Appassionata" Sonata
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OC 52/834 Typed letter from Barbara Rothe (UE), dated April 26, 1927
Rothe acknowledges corrections to the "Appassionata" Sonata and promises
proofs.
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OC 54/143 Typed postcard from August Demblin (DMV) to Schenker, dated April 5, 1927
Drei Masken Verlag confirm receipt of the corrected graphs and freshly copied
music examples for Meisterwerk 2.
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OC 54/144 Postal receipt for a package to Drei Masken Verlag (München), dated April 22,
1927
Postal receipt for the first corrected manuscript of Meisterwerk 2 and 9 leaves of stereotypes.
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OC 54/145 Typed letter from August Demblin (DMV) to Schenker, dated April 25, 1927
Drei Masken Verlag inform Schenker that they have sent all of the material for
the second Meisterwerk volume to the printers, and that he should expect to receive three
copies of the page proofs and two copies of the music examples in due
course.
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OC 54/146 Postal receipt for a package to Drei Masken Verlag (München), dated April 29,
1927
Postal receipt for a package containing 8 pages of engravings for the second
Meisterwerk volume.
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OC 54/147 Typed postcard from August Demblin (DMV) to Schenker, dated April 30,
1927
Drei Masken Verlag inform Schenker that they have forwarded the imprimatur
engravings to the printers, along with his query about Fig. 33.
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OC B/222 Typewritten letter from V. A. Heck to Schenker, dated April 12, 1927
Heck sends a Beethoven sketchleaf and asks Schenker's opinion of
it.
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OJ 10/1, [100] Typewritten letter from Dahms to Schenker, dated April 13, 1927
His Almanach has been a success but produced no financial return in a hostile
environment. — They are leaving Berlin for the south; he has lost faith in German spirit,
intellect, and morality.
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OJ 10/3, [59] Typewritten express postcard from Deutsch to Schenker, dated April 14,
1927
Deutsch invites the Schenkers for afternoon tea at the weekend; Hoboken and
Vrieslander will also be there.
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OJ 10/3, [60] Typewritten express postcard from Deutsch to Schenker, dated April 21,
1927
Deutsch looks forwarded to seeing the Schenkers at Hoboken’s place. The
Society of the Friends of Music would like their print of a Haydn sketchleaf to be returned;
Eusebius Mandyczewki is unable to find a copy of Scarlatti’s Op. 1 (a collection of six
keyboard sonatas).
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OJ 11/54, [13] Handwritten postcard from van Hoboken to Schenker, dated April 22, 1927
Hoboken invites the Schenkers to a quartet concert.
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OJ 13/25, [2] Typewritten letter from Rinn to Schenker, dated April 6, 1927
Having received a letter from Schenker to Albert Trentini, Rinn welcomes the
prospect of Schenker contributing the occasional article to Der Kunstwart, and asks for a
title.
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OJ 14/45, [113] Handwritten postcard from Violin to Schenker, dated April 6, 1927
In a reply to a recent letter, Violin thanks Schenker for the news concerning
the position he is hoping to obtain in Frankfurt and asks him whether Klenau might discover
what the people in Frankfurt think of him as a candidate.
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OJ 14/45, [64] Handwritten letter from Violin to Schenker, dated April 14, 1927
Violin thanks Schenker for his article (on Beethoven). He is still hoping for
a positive reply regarding Paul von Klenau's support for him in Frankfurt.
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OJ 15/15, [22] Handwritten postcard from Weisse to Schenker, dated April 14, 1927
Weisse calls his teacher's attention to a recent article by Edmund Schmid,
which questions the objectivity of Schenker's Beethoven research and deplores the slavish
adherence of his disciples to the concept of Urlinie.
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OJ 15/16, [57] Handwritten letter from Weisse to Schenker, dated April 29, 1927
Lacking an official state teaching certificate, Weisse asks Schenker for a
testimonial that states that he studied with him from 1908 to 1915, and in 1919, and that he is
fully qualified to teach harmony, counterpoint, composition, and piano.
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OJ 8/4, [50] Handwritten postcard from Schenker to Moriz Violin, dated April 25, 1927
Schenker explains that what he is doing behind the scene to assist Violin in
obtaining a post in Frankfurt, and hopes for some news from Wilhelm Altmann. Artur Schnabel
will be more useful to his cause than Paul von Klenau and his brother-in-law Heinrich
Simon.
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OJ 9/3, [6] Typewritten letter from Guido Adler to Schenker, dated April 4, 1927
Schenker is asked to have his photograph taken as a collaborator in the
Beethoven Centennial Celebration.
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WSLB 375 Handwritten letter from Schenker to UE, dated April 25, 1927
Having gained access to the facsimile of the "Appassionata" Sonata, Schenker
sends revisions to his edition.