-
OJ 11/10, [17] Handwritten postcard from Frimmel to Schenker, dated July 6, 1923
Frimmel makes a word-play on a feuilleton of the same date by Korngold
relating to Sigenfeld.
-
OJ 12/58, [1] Handwritten letter from Paul Müller to Schenker, dated July 19, 1923
Paul Müller asks Schenker to write a testimonial for his son, Siegfried Fritz,
and expresses satisfaction at the latter's progress.
-
OJ 12/58, [2] Handwritten letter from Paul Müller to Schenker, dated July 20, 1923
Paul Müller thanks Schenker for a testimonial for his son, Siegfried
Fritz.
-
OJ 12/59, [2] Handwritten letter from Siegfried Fritz Müller to Schenker, dated July 12,
1923
Siegfried Fritz Müller asks for a testimonial for a piano teaching
position.
-
OJ 14/45, [23] Handwritten lettercard from Moriz Violin to Heinrich Schenker, dated July 12, 1923
Violin writes approvingly of Schenker’s scheme to make Der Tonwille available by
subscription, as a periodical publication, and has a plan in mind. He inquires about the cost of
staying in Galtür.
-
OJ 14/45, [24] Handwritten letter from Moriz Violin to Heinrich Schenker, dated July 14, 1923
Violin has met an industrialist by the name of Max Temming who would be willing
to help make Schenker’s work more widely accessible. Violin will probably not visit the
Schenkers in Galtür this summer, as prices have gone up in Germany.
-
OJ 15/16, [48] Handwritten letter from Hans and Hertha Weisse to Schenker, dated July 15, 1923
Weisse summarizes his recent travels in northern Italy and Switzerland, and
inquires about progress on Der freie Satz, a work which he thinks will be an indispensable
foundation for the analyses in Der Tonwille.
-
OJ 6/7, [5] Handwritten letter from Heinrich Schenker to Moriz Violin, dated July 9,
1923
Having settled into country life in the Tyrol, Schenker returns to his work, in
particular to the ongoing battles with Hertzka over the publication of Der Tonwille. He asks
Violin’s opinion about a subscription plan for a periodical that would appear four times a year
(instead of the current two), and hopes that his friend might spare a few days to visit him in
Galtür.
-
OJ 6/7, [6] Handwritten letter from Heinrich Schenker to Moriz Violin, dated July 20,
1923
Schenker describes his efforts to make Der Tonwille more widely read, through its
distribution by his pupils and its display in music shop windows. He needs more help from pupils
and friends with the dissemination of his work, but complains that Hans Weisse has let him down
on more than one occasion by not writing about his work. Finally, he asks Violin’s advice about
whether he should accept an invitation to speak at a conference in Leipzig, or whether he should
simply stay at home and continue to write.